The logic of the plot is not strong, but it is exciting. There are good people and bad people, there are literary and artistic young people and young people, there are Ultraman and little monsters, there are undead male and female protagonists, and there are unlucky native migrant workers who play soy sauce. There are good special effects. There is also a big bald villain with a dick.
By the way, bald-headed brother, you are so awesome, why don't you bring down the dead young ABCDEFG with a big move, and have to fix the ozone layer and finally let the vase hostess bring it down in one sentence? I feel deeply sorry for your IQ below, by the way, died beautifully.
When the big bald head was brutally raped and killed by the male protagonist, fell into the cesspool, and opened his mouth wide in unbearable feces, I think he meant to say: I think I can save it again.
The overall look and feel is still good, and it’s enjoyable to watch. Of course, there is no reason for Hollywood blockbusters, but I still can’t help but want to complain about the following points
1. Why are the original migrant workers so heroic and brave, watching the tragic death of their companions makes me urinate in fear Still helping to dig people's ancestral graves?
2. The village warden is so focused on treasure hunting that he doesn't care about his personal safety at all. Where is his younger brother?
3. If I remember correctly, the explanation in the film is "high-pressure hydrochloric acid" for the liquid that sprayed to death three indigenous migrant workers at the library at the foot of the god of death? hydrochloric acid? Or high pressure? Can you melt people? Is the subtitle Junhua dead early or the screenwriter's body education? You are losing!
I can't remember the other slots, so let's summarize: it's worth seeing, but don't be serious.
That's it.
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