Say a few points of my opinion.
First, about religion. Religion is a very sensitive and serious issue, especially when the screenwriter framed the storyline on the birth of Catholicism and the controversy between Jesus and God. I think the screenwriter is definitely a wise man. The Western world generally accepts or recognizes the status of Catholicism and Jesus Christ. And whether the screenwriter created it by himself or got the initial inspiration from previous novels, he dared to connect the known facts with vague clues, and the whole story completed, whether it was a conspiracy theory or not, In short, people have a desire to re-understand the nature of religion and the myth of Jesus Christ, which is already a great harvest for a movie.
Second, about human nature. Christians and even bishops believe that Christ watches everyone, good people go to heaven and bad people go to hell. But in the movie, their fight against each other for profit also fundamentally satirizes their beliefs. People live for themselves, and this is human nature. In the movie, Christ hid her "wife" Mary Magdalene and her flesh and blood in order to protect her. The degree of secrecy was passed on as the Holy Grail, which was considered to be enough to shake the foundation of Catholicism. The men of the Society of Deeds attempted to bury the secret forever for the permanent stability and existence of Catholicism. In fact, it is all for oneself, which is the essence of human nature, isn't it?
Finally, about symbols. I find that visiting a museum or art gallery is a waste of time without an understanding of historical and religious symbols. The Harvard professor played by Tom Hanks is a scholar of religious semiotics. The sacred geometry and reasoning involved in the film is fascinating. The links are interlocked, so that several main lines of the story are spread out at the same time without interfering with each other.
In short, I recommend friends who are interested in religion and suspenseful plots to watch this movie. It would be even better if it can arouse some thinking or interest. In contrast, the prosperous period of domestic films is coming soon. It is recommended that filmmakers refer to such films, give up their impetuous mentality, settle down and do their homework in order to make classics. The so-called classic is not just relying on hype to consider selling.
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