I read it in college, but only remember a few symbols.
Read "World History" and know that during the Meiji Restoration, the Japanese samurai and the emperor's army had such a history of war. Looking at it again, it is right, and it is more thorough.
The rise or reform of every country is faced with the problem of contradiction between tradition and modernity. This is the case with Japan's samurai era and its modernization, China's Hundred Days Reform, and the May Fourth New Culture Movement, which has even been prevalent for a long time. The same goes for the anti-corruption campaign.
Many of them are completely broken and completely denied. The same is true in the film. The samurai team led by Katsumoto was finally destroyed by modern guns. But thankfully, at least in the film, we see dialectical acceptance and inheritance. When Algrand handed Katsumoto's samurai sword into the hands of the emperor, the emperor accepted it and seriously asked about Katsumoto's death, and the samurai spirit had begun to permeate from top to bottom.
The old culture, the reason why it is old, must have its narrow place. Just like the stubbornness and stubbornness contained in the spirit of the samurai, it is no longer suitable for the era of rapid development and flexibility. There are many doubts in the barrage. It is better to die in such a heroic way than to live stubbornly. This may be the fundamental difference between the old and new cultures. There will be convergence or transition between the two, but a revolution is also required.
Is this kind of thing rare in our country? The Taiping Saber is against the gun, and the Boxer is invulnerable.
Although they all failed, at least it proved that some people have been passing on and believing in certain things, perhaps, these things have yet to be tested.
The mysterious warrior spirit, at least in the film, is perfectly shaped. The only woman who is also charming. The samurai spirit also helped Algrand find the conversion of his soul, which is precious and very beautiful!
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