rotten, the plot structure is
even the martial arts design, and the shooting methods of bed scenes are all following the routines of previous commercial blockbusters. It can be
seen that Hollywood's imagination is almost exhausted
and can only rely on constant fried rice to circulate the hot scene.
There is no dialogue
or close-up. Close-up, quiet and meticulous psychological activities,
no perception
, and even emotional communication is also a brushstroke.
If the spiritual communication often depicted in literary films is compared to delicate and quiet water,
and the gorgeous and impetuous martial arts scenes are compared to wild and restless fire
, then only static and dynamic are suitable, and there is Zhang Only with relaxation can we achieve a 'harmonious balance',
in order to enjoy both refined and popular tastes ,
and to win the market without being infamous , but this film
is seriously out of balance,
only impetuous
and incomprehensible. Like previous commercial blockbusters, it is
like a firecracker.
From the beginning to the end, there is a 'climax' all the way to the end.
But firstly, such a climax is just a repeat of the old
way, nothing new, and it is difficult to arouse the audience's interest. Second, because it runs through the pointless, it is too late to feel when the 'climax' comes and it has ended.
Therefore, after watching this film, except for the air of impetuous power, I got nothing.
It's hard to make a commercial film without the resentment that is not worth the price of the ticket . The superb editing skills are its advantage, and the heart is active, but the human concern is the director of the literary film.
It's just that literary films are long and dull, so they are arrogant and arrogant, so they lack the market.
However, commercial films have the right to advocate, and they are irritable and exaggerated without the suspicion of soul.
If commercial films want to continue, it is time to consider the combination of the two to find a good book.
As the saying goes, a leaf knows autumn
This film heralds a classic Hollywood commercial blockbuster, following the routine without breakthroughs, and the bottleneck moment has come.
These producers should take advantage of the financial tsunami to reflect and think about what should be a visual feast for the audience.
As a result of eyeing money interests, the movies that are discharged must also be like shit. And a lump of dry poop.
Finally, it is worth mentioning that this time the Bond girl Kurylenko has a very special temperament. She has neither the red lips and white teeth of today's girls, the arrogance that is not useful, nor the sharpness and pride of the previous Bond girls that could not be hidden like a swordsman. There's a little adduction under the hood, but no posturing. With an awkward look, her beauty has a sunny and unrestrained taste compared to those paper people in commercial buildings.
In the end, the next Bond girl can be set as
1. She doesn't have sex with Bond and can't see her feelings (suspected to be a lesbian), or she just plays Plato with Bond
2. Saves Bond many times, and is smarter and calmer than him , The woman whose
aura is stronger than Bond's
, is no longer conquered by him It is possible to play 3p
5. Bond's first love
6. Always look up to Bond, pure secret love, loli without any intention but with boss-level talent (somewhat similar to this killer's not too cold combination)
7. Robot
8. Hidden Among the human beings, aliens, superpowers
...
In short, repeating the stories of those women who can't stand Bond's seduction gradually die in battle is boring. No matter what, I have to get some ruthless characters that he can't handle. He is impeccable.
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