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I forgive you, mediocrities
Tremaine 2022-04-20 09:01:07
It's very brain-burning... Objectively speaking, the lines and dialogues are too strong in the era, and there is no classic Kasab design. However, the director's skill is overwhelming. The whole tone of the film is terrifying and depressing, combining reality and reality, but what is more special is that the documentary-style flowing water and the in-depth exploration of flashback interviews correspond to each other. It seems to supplement the former, but it far exceeds the former. There is no sense of repetition, the director is bold and powerful in doing this! The montage app is awesome! As for the characters, I don't feel anything. As for the film, for the director, he may have to say that famous sentence: I forgive you, you mediocrity.
Extended Reading
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Moises 2022-04-24 07:01:02
#23 With deep focus and wide-angle, beautiful long shots, and an arrangement full of screen connections, the core film language has all matured here; the five flashbacks in the plot are like a carefully arranged maze. When approaching the answer step by step, the Kane's life is spliced together; the Rosebud that can't be found turned out to be just a sled as a child, and the vastness of life, its weakness and tenderness are just some unworthy regrets.
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Rebeka 2021-10-20 19:00:24
"Summarize all the techniques of the ten years since the advent of sound films", to maximize the expansion of the basic form and structure of film voice, breaking the narrative method of traditional film linear causality as the main line; the theme and clues rose buds, echoing the open structure; objective reality Combined with subjective intentions, paragraph shots, deep and deep focus, shadow backlighting, different editing styles for long shots in the same scene, audio montage
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Charles Foster Kane: This gentleman was saying...
Boss Jim Gettys: I am not a gentleman. I don't even know what a gentleman is.
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Charles Foster Kane: Don't believe everything you hear on the radio.