After the protagonist returns to the United States, facing the endless cereals in the giant supermarket - it is a business manipulation that is more complex, intrusive and pervasive than terrorist bombs - fortunately, he smokes a box at random, like the lifeless him. Just like cutting a thread on the battlefield.
However, the foreplay of the protagonist to the other side's consumer society and family relations is obviously insufficient. If it's enough, it's not too like "The Deer Hunter".
I don’t remember who said that even if the Iraqi war movies at this stage are well-made, it is difficult to gain popular support, because an excellent war movie requires a time distance for reflection and precipitation. For example, excellent Vietnam War films were concentrated in the late 1970s and early 1980s; excellent World War II films were not distributed between 1945 and 1950.
PS played live CS for the first time over the weekend, and then I watched their desert encounter with sniper battle and reminisced.
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