This is the best picture of the 88th Academy Awards, and it even beat "The Revenant". The criteria for the award is probably to win in the subject matter, the social and ideological depth ranks first, the actors perform well, the rest are average, and the photography is the most cliché The classic rules: 1. The big vision explains the environment at the beginning, the panoramic middle scene explains the relationship between the characters, and the close scene highlights the key points. 2. Give the camera to whoever speaks. This is something I really hate. The most interesting thing is that the background music only has the same piece of piano music, and it starts to sound as soon as it reaches the exterior. As a connection to the heavy indoor drama, the whole film is integrated, and it feels like watching a tense news report, reducing the artistry and increasing the documentary. sex. The first half made me fall asleep. When someone said that there were 90 priests involved in the case, I suddenly became inexplicably excited. I believe that most viewers are like me. According to the principle of the play, this place is the first plot point, the small climax, the place where the plot takes a major turning point, that is, the nature of the case has changed - the quantitative change causes the qualitative change. Later, as the investigation deepened step by step, the show and the audience were shocked together. When Robbie went to the man to approve the report, he said that many people knew that something was wrong, but no one stood up to do something, but was questioned sharply. Dao, what about you, what have you done? Then he froze, thinking for a long time. That moment is the climax of the whole film—action and truth reach the climax of cognition at the same time. Of course, the focus here is truth, and the audience will also reflect on themselves: When I found something wrong, I didn’t stand up and say something. Do something, or just be a cowardly tortoise? Actually not, my dear, "each of us is groping forward in the dark", don't question your courage, as long as you dare to do it, it is never too late.
The theme of the film is very similar to South Korea's "The Furnace", in which children are sexually assaulted, but the perpetrators are at large. It tells about the loopholes in the law and the society's failure to protect the interests of minors who turn a blind eye. I wonder why there are no such films in China, and then I start to complain about China's strict censorship system. Of course, this is one aspect. I think in China, which is not "sexually open", sexual abuse should not be the biggest threat to children, poverty, feudalism The poisoning of ideas and trafficking are the plight of minors in China. "Lost Orphans" and "Dear" are the representatives. In addition, the most worthy of attention is the problem of left-behind children and childhoods who have lost their enlightenment education. "The place.
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