focus

Tamia 2022-04-19 09:01:09

This year's Oscar hit, tells the story of the editor and reporter of the "Spotlight" reporting group of the "Boston Globe", who exposed the inside story of the sexual abuse of children by Catholic priests.

The way of expression of a typical adapted documentary, the first quarter of the plot is narrated in a bland manner, and the editor-in-chief's request to investigate the case as soon as he took office is inexplicable and abrupt. As the events behind it snowball into layers of exposure, the rhythm begins to pick up, which is exhilarating.

Perhaps the most moving thing about this film is the journalist's dedication and persistence to the truth out of professional ethics. If every profession has its own indispensable side, then the journalist industry has to be called great on the premise of maintaining objectivity, defying power, overcoming obstacles, devoting itself to defending civil rights and promoting social progress.

Everyone has their own beliefs, some people believe in religion and some people believe in truth.

There are too many names in the film, and name blindness said it was very difficult to see. Hulk's emotional outburst is very dramatic, but a little too emotional. If this film competes for the best drama at the Oscars, I think it deserves to be nominated, but it is not the best. The actors performed well, but the whole play was somewhat dull.

View more about Spotlight reviews

Extended Reading
  • Jacklyn 2021-10-20 19:00:58

    Iron shoulders are moral and righteous, and articles are cleverly held

  • Philip 2021-10-20 19:00:58

    In this era, religion seems to be becoming more and more hypocritical, but the power of free media is pervasive! As a biopic that discloses Catholic scandals, it controls the speed and rhythm of similar thrillers. It is clear, well-organized, and rigorous, which perfectly restores a media person's journey of reporting. The interaction of the big-name group dramas under such an excellent script is even more exciting! [This is all for Oscar~

Spotlight quotes

  • Walter 'Robby' Robinson: You know thirteen priests in Boston who have molested children?

    Phil Saviano: Yeah! Why do you keep repeating everything I say?

    Walter 'Robby' Robinson: [quieter than before] I just like to clarify things.

    Phil Saviano: Maybe you should have clarified it five years ago when I sent you all of this stuff! It's all... right here!

    [silence, Phil composes himself]

    Phil Saviano: May I use your bathroom?

    [pause]

    Matt Carroll: Yeah, sure, Phil.

  • Mitchell Garabedian: Three years ago I get a call from an ex-priest, Anthony Benzovich. He was at Blessed Sacrament back in '62, and he saw Geoghan...

    [waits for two cops to pass by, then continues]

    Mitchell Garabedian: ... taking little boys up to the rectory bedroom. So he's appalled, all right? And tells the bishop about it. The bishop threatens to re-assign him... to South America.

    Mike Rezendes: Jesus.

    Mike Rezendes: Yeah. So, fast forward thirty-five years. Benzovich reads that Geoghan has been charged with molesting hundreds of kids. So, he feels guilty. He calls me.

    Mike Rezendes: So, you have testimony of a priest telling his superiors about Geoghan in '62?

    Mitchell Garabedian: [shakes his head] No, I do not. Because when I call Benzovich in to give a disposition, he comes in with a lawyer.

    Mike Rezendes: Wilson Rogers!

    Mitchell Garabedian: Right. And suddenly, Father Benzovich has a very foggy memory. Can't remember anything. He's useless. So, I go back to work, I forget about it, whatever. Until about a year ago, I find an article about a priest who warned church officials about Geoghan.

    Mike Rezendes: Benzovich went to the press?

    Mitchell Garabedian: Yeah. Local paper, Patriot-Ledger. Nobody saw it. But now I got Benzovich on record. So, I file a motion to depose Benzovich a second time. And Wilson Rogers, that smug son of a bitch, files a motion opposing my motion. And that's when I have him.

    Mike Rezendes: Have him how?

    Mitchell Garabedian: Rogers opposes my motion, so I have to make an argument as to why I'm allowed to depose Father Benzovich a second time. Okay? But this time, I'm allowed to attach exhibits. You follow what I'm saying?

    Mike Rezendes: The sealed documents?

    Mitchell Garabedian: Yes! I can attach the sealed documents that I've gotten in discovery, Mr. Rezendes, the same documents your paper is currently suing for.

    Mike Rezendes: You're shitting me!

    Mitchell Garabedian: What? No, no, I'm not shitting you! So, I pull out the fourteen most damning docs, and I attach them to my motion. And they prove everything. Everything! About the church, about the bishops, about Law...

    Mike Rezendes: And it's all public! Because your motion to oppose Rogers' motion...

    Mitchell Garabedian: ...is public, yeah. Exactly. Now you're paying attention.

    Mike Rezendes: So, I can just walk into that courtroom right now and get those documents?

    Mitchell Garabedian: No, you cannot. Because the documents are not there.

    Mike Rezendes: But you just said they're public.

    Mitchell Garabedian: I know I did. But this is Boston. And the church does not want them to be found. So, they are not there.