The Bourne 2

The Supremacy of THE BOURNE SUPREMACY Driving an expensive sports car, and the women around you change as frequently as high-tech products? That's 007; always happens to be in the hottest scene at the right time, and then the onlookers happen to see the most handsome profile or POSE from the right angle? That's Mission: Impossible or Xtreme, etc. Audiences sometimes sigh why can't there be an agent from a certain country to do something crazy in reality, so that ordinary people can watch the live broadcast and know that there really is such a thing as an agent in the world. And now, in order to restore the essence of the agent and let the audience understand how an agent survived without relying on "unexpected" high-tech, the two directors Doug Liman and Paul Greengrass stood up and made a subversion—— The Bourneage trilogy. The two boldly gave up the past beauty, sci-fi technology and other action movies, and challenged their difficulties and blind spots - realism. In conclusion, it's safe to say that Jason Bourne has redefined the agent. "Spy" trilogy total investment 2. 4.5 billion US dollars, with a total global box office of 900 million, the fourth film is under preparation, and the name of "Bourne Bourne" has also appeared in major media, appeared in the Oscar winner list, and appeared in Chengdu in January 2009. Diagnosis language test questions. This success is absolutely inseparable from the credit of the soundtrack - John Powell, from the United Kingdom, is an excellent soundtrack in Hollywood, whose main works include Shrek (Shrek), X-Men 3 (X-Men 3) and most recently Bolt (Lightning Dog) etc. He perfectly combines orchestral and electronic music in The Bourne. It highlights the characteristics of the film to a great extent and becomes a highlight of the film that must be seen. In particular, the soundtrack of the second part made me never get tired of listening to it. Bourne became the type of agent in my mind, and the soundtrack became the type of action movie music. Let me give a general comment first: the melody is solid, the rhythm is clear, the ups and downs are fascinating, it does not make people feel dull when it is calm, and it is natural when it reaches the climax, not artificial. It can be said that John Powell's soundtrack helped establish Byrne's "hegemony". The soundtrack album contains a total of 13 soundtrack clips. Here are some parts for appreciation. 01- Goa Goa (Goa) is a city in India, after dealing with the enemy in the first part, Bourne and Marie fled here to avoid pursuit. "Goa" is the opening song of the whole film. The music begins with a simple, short, distant and mysterious crescendo orchestra, which directly puts the audience in that suspenseful atmosphere from the very beginning, closely following the theme of the film. And the few drum beats at the beginning of the song made the audience tighten the strings in their minds, waiting for the next explosion. After a gentle transition that matches the plot, "Goa" reaches its climax - at this point the film is composed of two alternate scenes completed by the two editors: on the one hand, Bourne runs at full speed on the beach, exercising him. The physique of the agent, while Marie was flipping through a note Bourne made in the process of searching for memories in the hotel where the two stayed - the main melody was played on the violin in the soundtrack, accompanied by a lively guitar concerto, reflecting the pause in the storm. Bourne's ease at this time, and the percussion as a clue to the later, has been interspersed in the background, the drum sound is like Bourne's footsteps when running, intense and powerful. This, together with the scene in which he runs, implies that even if he can have a moment of peace, he must be prepared to start at any time, and continue to avoid pursuit and find memories. Another scene edited at the same time, Bourne's Notes, also hints at the storyline for those who haven't seen the first. At the end of the piece, the main melody of the orchestra is gradually faded, and the percussion is gradually highlighted, which further shows the keynote of the film, that is, a strong rhythm and unstoppable keynote. After fading to only the perpetual drumming, the piece ends with a moment of abruptly intensified drumming, at which point Bourne just happens to end his workout, leaving the audience with an unforgettable memory of the scene.

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