Facts have proved that the soldiers have never sold meat, but the situation where I cry like a dog is second only to the juvenile pie.
There are many sincere tears in this film, and the mother-in-law is unequivocal when it comes to mother-in-law, but because it is too sincere, it may require the audience to have experience. For example, they bombed a real Bavarian town with real tanks and real explosives (impossible! This looks like an ordinary town in Germany!), and after the bombing, the effect of the forced demolition of various anti-Japanese dramas is incomparable. I found a real German to play a German prisoner of war. There were real German handguns flying in the sky, the muddy marching process was real, the youth SS was real, and the tiger tank phobia was real. I forgot about the pile of military house stalkers, I remember I asked a question:
"The male protagonist is also a little brother with blue eyes and a pale face, why does he look like an American compared to the pile of Germans next to him?
" Art."
(I spent a month in Germany last winter, and compared with the British I am familiar with, the seriousness and bitterness of the Germans are like the sign "don't make me smile we don't inserted in the forehead" do that")
Aside from the very sincere military stalker, the thing that touches me the most is belief. In fact, when I went to church the morning before, the pastor said something:
"Let's pray for the leaders of the country, let their decisions walk in the glory of God, and let this country achieve great revival."
I was at that time . He grabbed the scarf and pushed away the piles of people, and rushed out quickly in the white eyes of various intoxication being broken.
As a student of political science, I'm probably extremely intolerant of any believer of authority—whether secular or supernatural—believing that his goals can lead society. Although I'm actually an empiricist and philosophically closer to atheism, I'm really a Christian. There is only one reason Christians like me believe in God, and it is the same reason that the soldiers in this movie believe deeply in God, whether they talk about him or not:
There are good people and bad people in this world, there are cruel crimes, and there are flashes of kindness. I believe that God once came to this world, I believe that it was God's will that I was thrown into this battlefield, I believe, and I know my enemies believe that too. God, I won’t question which side you are on, and I won’t investigate whether such evil is also doing your thing. God, I can't hear you, I can't see you, I don't know you, I'm like a blind eye. But on this battlefield, I do the righteousness you taught me, that kind of thing I call conscience.
Outside the movie theater, I threw the table and yelled: "God who has a slap is for this purpose! It is used to comfort before dying, and to firm up your beliefs when you are at a loss. What do you think beliefs are?! What is belief? ?! It's knowing that I don't know the way forward, but I must choose a path and stick to it! It's acknowledging that all this is meaningless, but I'm never decadent, never give up on myself, and when necessary, I still devote myself to the justice that I believe in!! It's a life-saving straw! It's the balance rod in the mind! What do you think God is? A special wishing bottle!"
Faith is conscience.
God is rational consciousness.
To make this kind of thing absolutely correct, to become glorious, and even to ask others to do this kind of correctness, is really an angel's prudence in words and deeds, and arrogant speeches are ignored.
All the conflicting beliefs in this movie brought me to tears. After the battle, he ran to the dying soldier and asked, "Are you religious?" Then he held his hand and whispered a prayer for him. This is man's comfort to man, not God. Ask each other on the tank, "Do you say that God loves Hitler too." As Kierkegaard said, these painful questions can only strengthen the faith, not break it, because the brave know that we have no stand to question man-made idols. Whispering prayers in the last moments, for the frailty, helplessness, fear, sadness, hatred, pain, anger, and solace in the deepest faith.
My roommate once said to me,
"Don't think of God as an objective God. Yes, you believe he is an objective God, absolutely rational. But God is in you, and he is with you personally. Always remember , he accompanies you to travel thousands of mountains and rivers, through hardships and hardships, you are the one who does righteous deeds, you do not know whether this is the will of God, or the distortion of the devil as Descartes said. But you have no choice but to Trust that God is with you."
The figure of God emerges in a tug of war with pain, and life is an experience. We hold this belief deep inside and only use it in moments of inner pain. As for the great revival and the like, let Caesar's go to Caesar.
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Some interpretive understandings about other complaints.
The central idea of this film is to show the real fragments of the war, or I think all the details of it are to express the truth of the war and the people in the war, so a few small details about belief can let me explain this Come more.
For example, some people say that the male protagonist, Little White Rabbit, matures too quickly.
Although I haven't specifically learned how to analyze movies, I think it's a narrative montage. The teacher said before that when you watch a movie, some plots are unreasonable in reality, but this is not because the director is stupid, but because you didn't keep up with your ideas and just wanted to complain. The example she gave is that in Bollywood movies, group dances are always used to connect the plot. The location and costumes of the group dances will change because of everything in the scene, but the timeline of the story is continuous. In reality, of course, it is impossible for a girl to dance on the top of the mountain in one moment and sing in the lake in the next moment, but it is meaningless to complain about it.
I think the growth problem of the little white rabbit is also of this nature. The personalities of the little white rabbit and the big bad wolf we saw are not particularly distinct. They are just impressive soldiers in this war, and they are not much different from other soldiers. So the growth of Little White Rabbit is just the growth of an ordinary recruit. What the story emphasizes is not how he grew up, but what kind of real people there will be in the real war, what kind of people they were, and what kind of people they were in the pain of war , the constant loss, questioning, hatred, fear, what kind of people they have become.
After the capture of the town, the contrast between the two frail women at home in clean clothes and the terrifying soldiers who broke in is the conflict between life as we understand it and the souls hurt by the war. The little white rabbit and the big bad wolf originally came from this kind of life. In their hometown, there were people who played the piano, washed the dishes, poached eggs on the table, and ate happily together. Now they are in the heart of the enemy, pointing guns at the people of the enemy country, pretending that after the battle is over, they can live in peace and even love each other. Soldiers with scars on their noses (well, I don't remember any of them except tanks) rushed in just in time to break the hallucination. All of these episodes, I understand, express aspects of the souls that the war has changed, who they appear to and what they do is irrelevant. It seems that the wretched face of the hallucination buster is not completely destroyed enough. The director finally asked the girl to take a lunch to show the delusional destruction and hatred of the little white rabbit. I think the plot is a little too dramatic for the overall warm-hearted vibe...
(but I've watched almost 2,000 movies as an undergraduate, so yes I'm really picky about scripts)
(By the way, I think scripts are the most God made it or Joss Whendon)
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