Personally, I rarely watch a movie three times, and "Fury" is the kind that is qualified to occupy the precious hard drive capacity of a computer for a long time. As far as the average audience is concerned, the evaluation of this film is definitely far less than that of "Dunkirk", "Blood Battle Hacksaw Ridge" and so on among the many excellent works on the theme of World War II. It's more of a tank movie to say it's a World War II movie.
In essence, this movie is still a "cool movie" rather than a type that is flawless and brain-burning. But from the point of view of a tank movie, I'm afraid other movies can't come close. The M4A3E8 and Tiger in the film are real guys dragged out of the museum, and various battle scenes also highly restore the real situation during World War II. Previously, other senior technical party audiences have published a long popular science film review, and the specific content will not be repeated. The typist Norman was forced to sit in a tank to participate in the battle. From the very beginning, he was unsteady when he saw the bloody scenes. The mental journey of the creamy boy growing into a real warrior and the production of various details of the battle were impeccable. I will definitely let you all WWII military fans are hooked.
In terms of filming, the biggest difference between "Fury" and other war movies is that it adopts a shooting method that many predecessors have rarely tried. If you asked everyone a war movie, how would you shoot it? I believe that the answer given by most people is nothing more than the need to shoot magnificent battle scenes, and it must be filled with gunpowder and bullets. However, the film "Fury" chose to use the perspective of a tank soldier to shoot a large number of crowded and dark tanks inside, and shoot the battlefield through sights. It perfectly reproduces the cruelty of war and creates an atmosphere of depression and terror. Let the audience understand the meaning of the phrase "Those who yearn for war have never experienced war" across the screen.
At the end of the film, at the beginning of the film, the white horse that was released by the father passed by, and Norman was hiding under the tank and was found by a young German soldier who seemed to have just joined the army. But the German soldier chose to let him go. In this German soldier, we see the immature and kind-hearted shadow of Norman when he first joined the army. Perhaps, the young German soldier will also experience the next Norman cycle. On the battlefield, there is no mercy but life and death.
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