I've seen a lot of portables, as far away as Bleil the Witch, as close as a psychedelic park, but this film really doesn't fit this style. If we say the beginning part, it emphasizes the loneliness and insecurities of the protagonist. A sense of stability, then wait until the protagonists in the back become famous, and then I can't stand it anymore. The key is that the camera is really too close, and basically 80% of the protagonists are flying over and over on the faces of the protagonists. In addition to the jitter, it's actually quite boring. Those stunts are basically invisible because of the jitter, which is extremely eye-catching.
Basically, during the movie time, my only thought was, hold on, don't spit it out for dinner. gosh.
Originally, this film has all the elements of a commercial blockbuster, gimmicks, so-called true love, tangled stories, and first-class special effects. However, the director's unique photography style basically wastes all of these, which is really a pity.
Director, I'd better invite you to make a documentary, or that way you can implement your ideas perfectly, and we'll be more comfortable watching.
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