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Masterpieces of Urban Realism
Cassandre 2022-04-22 07:01:02
This is a more emotional film. The director continued the model of the last film "The Line of Happiness Behind the Dark Clouds", which told us that modern people are mentally ill under the cover of normal appearance, while this one Trying to tell us that everyone is a liar. In the journey of life, people use a certain bag to hide their real life status. In this life journey of cheating, some people are willing to be deceived, and some people There is nothing to be deceived, and some prodigal sons who are deceived turn back. Because of the success of "The Line of Happiness behind the Dark Clouds" for such an allegorical film in the hearts of the Oscar judges, it is reasonable that this film won nothing. Last year's escape from Tehran and this year's Twelve Years a Slave's successful ascent were in large part due to political implications. However, in this film, the screen design with a sense of age, the soundtrack that complements each other, Cooper's chattering line design, Bell's explosion of acting skills after getting fat, Amy's glamorous and moving appearance, Lawrence's sometimes goddess and sometimes shrew's performance make this film It has become the pinnacle of urban film, and this is the real realism.
Extended Reading
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Cary 2021-10-20 19:00:06
I lied to you, you lied to him, he lied to her, she lied to her...8.0
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Kylee 2022-03-25 09:01:05
It took five or six times to finish watching. Everyone performed vigorously, but there was no smile! I don’t know why I spend so much thought on my hairstyle to create a special black humor. It’s not funny anyway. Not to mention the plot really makes people want to sleep.
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[first lines]
Richie DiMaso: What are you doing, going behind my back? Telling people I'm screwing up this operation? I got you a suite at the fucking Plaza Hotel.
Irving Rosenfeld: The shittiest suite at the Plaza Hotel.
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Cosmo Interview Girl: Our cover story right now is about cunnilingus. What do you think about that?
Sydney Prosser: I like it.
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