In "Gold Rush" I remember two things most: one is the funniest, Chaplin is dancing with the beautiful Georgia, the belt is loose and always falling down, he jumped and captured The pants and butt had to be pouted, which made people laugh. Later, he took advantage of the short gap between Qiao Qia and her companions and hurriedly pulled a rope next to it as a belt to tie it up. Unexpectedly, this tie didn’t matter, so he pulled it out. A big dog followed them round and round. Chaplin's comedy rhythm is very fast. Watching his movies, your nerves are always tense, because you don't know what more exaggerated and interesting things will happen below, until the end of the hard-won story is complete. And full of joy.
The other place is when he danced in front of his beloved girl in his dreams. Undoubtedly, Chaplin's feelings for XX are the most sincere and moving. He crossed two steamed buns as a pair of shoes, and then performed a villain dance on the table. Simple tools became interesting under his hands. I think this is the "kung fu" of a master comedy. There must be an extraordinary story behind the successful person, and I am eager to understand his back.
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