peep

Genoveva 2022-04-24 07:01:01

Rear Window

Rear Window

You're peeping out of the window, and the audience in front of the screen is peeping at you.

Alyssa's "wild". Unforgettable, elegant and fashionable beautiful sister, wearing a sleeveless A-line skirt, stepping on a small high-heeled wall and climbing a ladder, the contrast of entering the room privately. Not a princess who can only sit in a carriage, but a knight princess!

I thought it would be very mysterious, but what I didn't expect to guess turned out to be the truth. Perhaps this is also what the protagonists experience? The answer is about to come out, but there is no evidence. Hitchcock did not engage in a plot of reversal + reversal + reversal + reversal, as if to let the audience push the progress bar bit by bit through the protagonist's point of view.

"Viewpoint". Some netizens discussed that Hitchcock's films are not about the plot, but about the language of the film. I plan to use the process of winning the badge to experience it~

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Rear Window short comments

  • Candace 2022-03-25 09:01:01

    , Within an hour and a half, all the cameras shook and cut in the rectangular windows of the neighborhood, the small rectangular garden downstairs and the dimly lit room of Jeffery, and the peeping lens only stretched to the long back street below the murderer, which was small and cramped. The space does not restrict the tension of the lens and the infinite possibilities of suspense. In addition, I remember that there was such a sentence, in fact, everyone has a desire for exposure and a desire to peep in their hearts. Still makes sense

  • Shannon 2022-04-24 07:01:01

    #BJIFF# ​​Revisiting Hitchcock feels no exaggeration. Under the premise of achieving the ultimate suspense in "Rear Window" (the smoke in the murderer's darkness is so wonderful that I don't know how to blow it), it also The character arcs of the hero and heroine are well completed, as well as the wonderful dialogue throughout the film and the ambient sound created by the noisy apartment from beginning to end, it can be said to be a perfect movie.

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Rear Window quotes

  • L.B. Jefferies: I've seen bickering and family quarrels and mysterious trips at night, and knives and saws and ropes, and now since last evening, not a sign of the wife. How do you explain that?

    Lisa Fremont: Maybe she died.

    L.B. Jefferies: Where's the doctor? Where's the undertaker?

  • [Jeff dials the number for Thorwald's phone. Thorwald is seen from a distance walking over to the phone and standing by it]

    L.B. Jefferies: [quietly to himself] Come on, Thorwald, answer it. Come on, you're curious. You wonder if it's your girlfriend calling. The one you killed for. Go on, pick it up!

    [Thorwald is seen picking up the phone]

    Lars Thorwald: [voice] Hello?

    L.B. Jefferies: Did you get my note? Well, did you get it Thorwald?

    Lars Thorwald: [voice] Who are you?

    L.B. Jefferies: I'll give you a chance to find out. Meet me in the bar at the Albert Hotel. Do it right away.

    Lars Thorwald: [voice] Why should I?

    L.B. Jefferies: A little business meeting... to settle the estate of your late wife.

    Lars Thorwald: [voice] I... I don't know what you mean.

    L.B. Jefferies: Come on, quit stalling or I'll hang up and call the police. Would you like that?

    Lars Thorwald: [voice] I only have 100 dollars or so.

    L.B. Jefferies: That's a start. I'm at the Albert now. I'll be looking for you.

    [Jeff hangs up]

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