"Rear Window" "Rear Window"

Brown 2022-04-22 07:01:01

One hot summer many years ago, I was lying in bed with a high fever and I still insisted on watching "Rear Window", which I thought was pretty good at the time. But today it seems to be boring, yes, if there is no suspense in a suspense film, what else is worth watching? The beautiful female protagonist with blond hair is also the male protagonist who sits in the house all day and cannot move.

The story is a good one, very Agatha's style, very similar. A story imagined by sitting at home, only needs one window, facing the window of the opposite building, those colorful windows are constantly leaking the secrets of their owners, as long as you are interested to watch.

I think this may be Hitchcock's weakness. He has to keep innovating and introducing new suspense after another, because the chance of his films being rewatchable is almost zero. But I have read Ryazanov's "Station for Two" and "The Story of the Office" several times (we will talk about Ryazanov in the next section), but I still can't get enough of it. At this time, I began to wonder about Hitchcock, if I lost the suspense and lost my usual photography skills, what would be left? What's left? A common gimmick in some vulgar movies, or some clips of beautiful blondes. Some people say: It's wrong, it's right to go on. How profound are these words, can you tell what is right and what is wrong? Or Lu Xun said it well: whoever says is right. But aren't the media spreading the truth everywhere? If I were you, I would choose to close the window and go to bed. There is no truth in dreams.
Visibility: ***

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Extended Reading
  • Hollis 2021-10-20 18:59:49

    If it turns out that the businessman is innocent in the end, and everything is just speculation, it will be even better.

  • Mustafa 2021-10-20 18:59:50

    Four brushes, one of the personal fandom enlightenment, the favorite Xi Pang movie. 1. With his superb narrative techniques and precise control of the lens language, Hitchcock expands the suspense and drama infinitely in a small and cramped limited space, bursting out a dizzying and different kind of excitement. 2. The two-way action inside and outside the lens and an analysis of the essence of the film: we see the hero and heroine through the screen, the hero and heroine see the inside of the neighbors of the building through peeping, and then drive the whole story with an undocumented pre-determined murder develop. The "rear window" is like the other screen in the image, and the naked eye/binoculars/distance camera exists as a medium for establishing mutual connections. The known inside the frame extends the unknown outside the frame. 3. The reference of marriage issues and the reflection and moral criticism of voyeurism. 4. The humorous dialogue and the various supporting roles compete with each other, and the windows and windows are simulating the Ukiyo-e paintings of all living beings. 5. Hitchcock's movies always start with chaos, gather in contradiction, return to calm, and end neatly. I love this fat man. | Grace Kelly is all over the world, and will never come again. (9.5/10)

Rear Window quotes

  • L.B. Jefferies: I've seen bickering and family quarrels and mysterious trips at night, and knives and saws and ropes, and now since last evening, not a sign of the wife. How do you explain that?

    Lisa Fremont: Maybe she died.

    L.B. Jefferies: Where's the doctor? Where's the undertaker?

  • [Jeff dials the number for Thorwald's phone. Thorwald is seen from a distance walking over to the phone and standing by it]

    L.B. Jefferies: [quietly to himself] Come on, Thorwald, answer it. Come on, you're curious. You wonder if it's your girlfriend calling. The one you killed for. Go on, pick it up!

    [Thorwald is seen picking up the phone]

    Lars Thorwald: [voice] Hello?

    L.B. Jefferies: Did you get my note? Well, did you get it Thorwald?

    Lars Thorwald: [voice] Who are you?

    L.B. Jefferies: I'll give you a chance to find out. Meet me in the bar at the Albert Hotel. Do it right away.

    Lars Thorwald: [voice] Why should I?

    L.B. Jefferies: A little business meeting... to settle the estate of your late wife.

    Lars Thorwald: [voice] I... I don't know what you mean.

    L.B. Jefferies: Come on, quit stalling or I'll hang up and call the police. Would you like that?

    Lars Thorwald: [voice] I only have 100 dollars or so.

    L.B. Jefferies: That's a start. I'm at the Albert now. I'll be looking for you.

    [Jeff hangs up]