Looking at the world from the rear window

Kirstin 2022-04-21 09:01:02

The famous "Rear Window" is classified as suspense and thriller. But I think this should be an authentic life film: Jeff, a well-known photographer, had to rest at home because he broke his left leg. In New York in the 1950s, the apartment was similar to the Handshake Building in the current urban village. Although the distance was not so exaggerated, there was no privacy at all, and every move could be seen by the neighbors. The ballerina who likes to practice at home in underwear, the old couple who likes to sleep on the balcony, the newlywed couple, the frustrated composer, the salesman and his bedridden wife. . . , Every day, scenes of live dramas are shown in front of his eyes, trivial. Suddenly one day, the salesman Yu Ye went out with the box three times, and his wife disappeared, and finally gave away a big box. Jeff's imagination kicked in: it was a murder. He asked his police friend to investigate, and the results were impeccable. The salesman just sent his wife to the country, witnesses, train tickets, and postcards for safety. But Jeff still didn't give up, his nurse Staff and his girlfriend Lisa also believed his judgment, so they went to find evidence together, and finally got something, but the salesman found Jeff, and the two fought, just when Jeff was about to be thrown While out the window, Lisa and the police arrive just in time, and the salesman pleads guilty.
Filmed in 1954, the film is slow and tight, Jeff likes an adventurous life, but Lisa is a costumer who is in and out of high society (Lisa makes a stunning appearance, wearing a pair of $1100 worth of money that has just been flown in from Italy The dress is so radiant that I found out that it was Grace Kelly, who later became the Princess of Morocco. Jeff was also very stressed and wanted to complain to the nurse that she couldn't marry Lisa because she was too perfect. Lisa wanted him to give up his job at the magazine and settle down, and neither of them were willing to budge and almost broke up. But when Jeff was telling about what he had witnessed, she suddenly became curious, and even went into danger to find evidence. At this moment, she seemed to have become the kind of woman Jeff wanted to be able to accompany him around the world. , brave and resourceful. In the end Jeff finally settled down (this time both legs were broken), and Lisa, who was watching "Crossing the Himalayas", saw Jeff fall asleep, quietly put down the book, and picked up "bazzar". Perhaps, this is the beginning of a better life, and they have found a way to compromise.
The atmosphere created by the film is very cool and detached. The film has no exterior scenes, just Jeff's small apartment (no panoramic view) and a few windows. The lives of the tenants have nowhere to hide, bland and boring . But who knows what is the truth of life, the ballerina attracts bees and butterflies all day long, but the end of the film is a surprise: "You are back", a little man with glasses came in, we should laugh at him for being deceived In the drum or moved and believe in love? The little couple who are like glue is like: "I would not have married you if I knew you were going to resign." The disgruntled composer finally released a new record. The room where the murder took place was also repainted. A new life begins again.
Although the film has a good grasp of the atmosphere, it also makes the audience sweat when the plot is tense. Many shooting techniques have been imitated by countless films and are regarded as the classics of suspense films. But I prefer to classify it as a life movie. Life is like this. Surprise is bred in plainness, and tears are full of joy.


PS, just to complain about a plot, Jeff said to Lisa when he said his life was turbulent: "Have you ever eaten fish head and rice". Cio, the rude Yankees don't understand food, your southern neighbor Mexico and the fashionable Italy are all rice-loving countries

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Extended Reading
  • Christiana 2022-04-24 07:01:01

    I just came to see Kelly changing clothes. The male protagonist's self-destructing image is completely to set off Kelly's beauty.

  • Ivy 2022-03-24 09:01:02

    "The courtyard symbolizes the world, the (voyeur) photographer is the director himself, and the telescope represents the camera and the lens." Truffaut said well. In each window are comic strips, radio stations with different themes, and stories being watched. The most interesting thing is that the male photographer, who is the subject of the gaze, seems to be the subject of being distracted. He has been trapped in a wheelchair in a passive position. The girlfriend who only buys clothes in his mouth is slowly changing from the default setting. Come out, use your mind, affection, and action (and a set of Chinese clothes) to change the audience's impression. In the end, she picked up the fashion magazine, which was really a playful declaration of victory, and every window on the opposite side eventually returned from disorder to order.

Rear Window quotes

  • L.B. Jefferies: I've seen bickering and family quarrels and mysterious trips at night, and knives and saws and ropes, and now since last evening, not a sign of the wife. How do you explain that?

    Lisa Fremont: Maybe she died.

    L.B. Jefferies: Where's the doctor? Where's the undertaker?

  • [Jeff dials the number for Thorwald's phone. Thorwald is seen from a distance walking over to the phone and standing by it]

    L.B. Jefferies: [quietly to himself] Come on, Thorwald, answer it. Come on, you're curious. You wonder if it's your girlfriend calling. The one you killed for. Go on, pick it up!

    [Thorwald is seen picking up the phone]

    Lars Thorwald: [voice] Hello?

    L.B. Jefferies: Did you get my note? Well, did you get it Thorwald?

    Lars Thorwald: [voice] Who are you?

    L.B. Jefferies: I'll give you a chance to find out. Meet me in the bar at the Albert Hotel. Do it right away.

    Lars Thorwald: [voice] Why should I?

    L.B. Jefferies: A little business meeting... to settle the estate of your late wife.

    Lars Thorwald: [voice] I... I don't know what you mean.

    L.B. Jefferies: Come on, quit stalling or I'll hang up and call the police. Would you like that?

    Lars Thorwald: [voice] I only have 100 dollars or so.

    L.B. Jefferies: That's a start. I'm at the Albert now. I'll be looking for you.

    [Jeff hangs up]