Not the first time I've looked at the rear window. To say that Coco in the West District is only a master of suspense is too condescending to him. Half a century ago, he broke down a great human suspense that will endure in the world: the morality of the rear window. "I don't know if it's ethical to peek at other people with a telescope or a long lens of a camera. If Mr. Su is innocent, do you think it's ethical for me to spy on him." The difference is that people who just went through World War II 50 years ago are still kind-hearted and want to get to the bottom of it. Today people are more willing to live in empty nests without thinking. Modern people do not lack the courage to ask questions. An apartment is an intriguing space. Therefore, the film naturally discusses marriage and emotional issues by the way. The newlyweds' strength is reduced to fatigue, the lonely lady's dinner alone, the queen bee jogging among the many suitors, the baller's buttocks.
West End Coco's shots are good, the movement is smooth and speedy, and the language of the film is very adept. This time was no exception, with the chunky director showing a side profile at the beginning of the film. He is a true master of construction, and every piece is like a carefully constructed building block. And with innuendo sarcasm about self-life, I think the passage about marriage in West End Coco might be the same. Does he also have a subconscious mind to kill his wife? He has a lot of kids, I know.
Death is a disaster. This is God's
judgment. Otherwise they would already be dead. ——Saying
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