"Peeping Tom" ("Peeping Tom" ah this is), the lens is given to the telescope, and I immediately think of another movie I watched not long ago - "Peeping Tom" (Peeping Tom). In contrast, the protagonist Jeffrey with a telescope in his hand seems to have more reasons. His plastered left leg greatly restricted his range of motion, and in boredom he had to raise his binoculars and observe his neighbors to pass the time. The detailed portrayal of the characters in the film makes the audience have a sense of substitution. Jeffrey, holding a binoculars, was observing with interest a newlywed couple who had just moved in. The bride may have noticed Jeffrey, maybe not. Under her signal, the groom who was "holding the princess" closed the blinds with a "swipe", which also broke the male protagonist's thoughts of watching. Jeffrey's eyes changed immediately, from "quick fall" full of "eat melon" to lack of interest. As a viewer, I feel the same way as the hero, feeling a little underwhelmed, a little disappointed.
The main plot of "Rear Window" involves a case that happened that summer, which was witnessed and reasoned by the audience and the protagonist at the same time. It sounds a bit scary, but you don't have to worry about it being too scary or unsuitable for children. Unlike Hitchcock's other works ("The Birds," "Psycho," "Telephone Murder," etc.), "Rear Window" has a lot of rom-com elements in my opinion. Through the binoculars, the audience witnessed the whole process of the case "getting to the bottom", and the mood was ups and downs. When a private detective showed up and confirmed that the dead businessman's wife was on the train, in a different place and alive, I was lost as a spectator. Seeing that the "real murderer" was about to be arrested, how could he bear to acquit him? ? ? After watching most of the movie, I wish I could get into the movie screen and capture the murderer with my own hands. How could I accept that this case was a "big oolong?" Fortunately, Hitchcock gave the audience a "pleasant" ending. The accidental death of the puppy aroused people's awareness and became a breakthrough point in the detection of the case. As the heroine Lisa said, "It (puppy) knows too much." But in life, those hot men and women who live in entertainment gossip news are often experiencing "Rashomon". It's just that the verbal and written criticism of the mistresses and scumbags has never stopped. That kind of "righteous indignation" and that kind of "righteousness" also brings a kind of spiritual joy. Contemporary poet Li Dan once described this era as follows: "Now it's time to communicate with people about sports news reading experience, don't watch games, search for plots, don't go to the cinema, buy flowers, don't go swimming, don't go into the water, climb mountains, don't go to the eighth floor. Go to the third floor to refresh, don’t remember, to understand a person thoroughly, don’t know, cry for him, don’t let him know, worry, don’t do, realize other people’s dreams, don’t guess your own, get a cup or drink, answer, don’t ask.” Silently watching , in front of the "keyboard man", a look of staying out of the way. But they are all holding binoculars, facing the "rear window". 02 Another thing that attracts me about this movie is its discussion of the relationship between the sexes. Betrayal is not portrayed to the fullest in Rear Window. It is very likely that a businessman kills his wife because his wife is sick and has a new lover. There are also hints in the film: the "long-distance call" the businessman received, or the woman who posed as a businesswoman and got on the train. So what's so appealing about this movie? In my opinion, it is the "different" and mutual attraction between the hero and heroine in "Rear Window". If two people have completely different interests, how can they get along? Choose to change or turn away? There is such a vivid example in Zhao Baogang's new work "Youth Fight", which was very popular before: Ding Lan is eager to take risks and always has high fighting spirit, while Zeng Haiming expects stability in the world and is unwilling to wander. Although the two had a series of run-ins, they were ultimately incompatible and became relatively silent strangers under the same roof. Later, Ding Lan met Russell, a young photographer who could shoot aurora and Tibetan antelope. She gritted her teeth and quit her job to accompany her new boyfriend to the mountain. The hardships are unremarkable. It turned out that the mountains and rivers were not suitable for her, and she couldn't feel the happiness that a person like Russell could experience. The relationships between the heroes and heroines in Rear Window are similar to those above, but the film's presentation gives them an open-ended, not-so-sad ending. The male protagonist is a photographer who sleeps in the wind, yearning for the stars and sea in the distance. The heroine is a charming lady who dresses up and enjoys every highlight moment, living a comfortable life in a small town. If they want to get married, if they want to settle down, there needs to be a compromise from one of the parties. Indeed, because they are different from each other, they are attracted to each other, and they are fatally attracted. But at the same time, they also expect that each other's beautiful "highlight moments" will not be destroyed by each other. The beginning of the story introduces: Jeffrey's leg has a cast and is forced to stay in the town, so he and Lisa have a week of each other's time. During this week, Lisa actively spy on the suspicious actions of the neighbors, climbed the stairs with high heels, and showed the determination and courage to the male protagonist that she wants to live with her, which is cute and admirable. By the end of the story, Jeffrey fell asleep with both legs in casts from fighting the criminal. Lisa changed into light and simple clothes and took off her high heels, as if she had completely changed herself. But when the camera turned, Lisa quietly put down the travel adventure magazine and opened the fashion magazine. Lo and behold, their essence hasn't changed! But because they love each other, they compromise and try to change themselves. But then what? What happens after the male protagonist's leg injury gets better? Will you be bored and leave immediately? Is the heroine ready to give up her costumes and go to an unknown and dangerous place? When the heroine takes off her clothes and makeup, in the eyes of the hero, will she still be as sexy and charming? I have no idea. Always high-spirited, Zeng Haiming expects stability in the world and is unwilling to wander. Although the two had a series of run-ins, they were ultimately incompatible and became relatively silent strangers under the same roof. Later, Ding Lan met Russell, a young photographer who could shoot aurora and Tibetan antelope. She gritted her teeth and quit her job to accompany her new boyfriend to the mountain. The hardships are unremarkable. It turned out that the mountains and rivers were not suitable for her, and she couldn't feel the happiness that a person like Russell could experience. The relationships between the heroes and heroines in Rear Window are similar to those above, but the film's presentation gives them an open-ended, not-so-sad ending. The male protagonist is a photographer who sleeps in the wind, yearning for the stars and sea in the distance. The heroine is a charming lady who dresses up and enjoys every highlight moment, living a comfortable life in a small town. If they want to get married, if they want to settle down, there needs to be a compromise from one of the parties. Indeed, because they are different from each other, they are attracted to each other, and they are fatally attracted. But at the same time, they also expect that each other's beautiful "highlight moments" will not be destroyed by each other. The beginning of the story introduces: Jeffrey's leg has a cast and is forced to stay in the town, so he and Lisa have a week of each other's time. During this week, Lisa actively spy on the suspicious actions of the neighbors, climbed the stairs with high heels, and showed the determination and courage to the male protagonist that she wants to live with her, which is cute and admirable. By the end of the story, Jeffrey fell asleep with both legs in casts from fighting the criminal. Lisa changed into light and simple clothes and took off her high heels, as if she had completely changed herself. But when the camera turned, Lisa quietly put down the travel adventure magazine and opened the fashion magazine. Lo and behold, their essence hasn't changed! But because they love each other, they compromise and try to change themselves. But then what? What happens after the male protagonist's leg injury gets better? Will you be bored and leave immediately? Is the heroine ready to give up her costumes and go to an unknown and dangerous place? When the heroine takes off her clothes and makeup, in the eyes of the hero, will she still be as sexy and charming? I have no idea. Always high-spirited, Zeng Haiming expects stability in the world and is unwilling to wander. Although the two had a series of run-ins, they were ultimately incompatible and became relatively silent strangers under the same roof. Later, Ding Lan met Russell, a young photographer who could shoot aurora and Tibetan antelope. She gritted her teeth and quit her job to accompany her new boyfriend to the mountain. The hardships are unremarkable. It turned out that the mountains and rivers were not suitable for her, and she couldn't feel the happiness that a person like Russell could experience. The relationships between the heroes and heroines in Rear Window are similar to those above, but the film's presentation gives them an open-ended, not-so-sad ending. The male protagonist is a photographer who sleeps in the wind, yearning for the stars and sea in the distance. The heroine is a charming lady who dresses up and enjoys every highlight moment, living a comfortable life in a small town. If they want to get married, if they want to settle down, there needs to be a compromise from one of the parties. Indeed, because they are different from each other, they are attracted to each other, and they are fatally attracted. But at the same time, they also expect that each other's beautiful "highlight moments" will not be destroyed by each other. The beginning of the story introduces: Jeffrey's leg has a cast and is forced to stay in the town, so he and Lisa have a week of each other's time. During this week, Lisa actively spy on the suspicious actions of the neighbors, climbed the stairs with high heels, and showed the determination and courage to the male protagonist that she wants to live with her, which is cute and admirable. By the end of the story, Jeffrey fell asleep with both legs in casts from fighting the criminal. Lisa changed into light and simple clothes and took off her high heels, as if she had completely changed herself. But when the camera turned, Lisa quietly put down the travel adventure magazine and opened the fashion magazine. Lo and behold, their essence hasn't changed! But because they love each other, they compromise and try to change themselves. But then what? What happens after the male protagonist's leg injury gets better? Will you be bored and leave immediately? Is the heroine ready to give up her costumes and go to an unknown and dangerous place? When the heroine takes off her clothes and makeup, in the eyes of the hero, will she still be as sexy and charming? I have no idea. The relationship is similar to the characters above, but the film presents them with an open-ended, not-so-sad ending. The male protagonist is a photographer who sleeps in the wind, yearning for the stars and sea in the distance. The heroine is a charming lady who dresses up and enjoys every highlight moment, living a comfortable life in a small town. If they want to get married, if they want to settle down, there needs to be a compromise from one of the parties. Indeed, because they are different from each other, they are attracted to each other, and they are fatally attracted. But at the same time, they also expect that each other's beautiful "highlight moments" will not be destroyed by each other. The beginning of the story introduces: Jeffrey's leg has a cast and is forced to stay in the town, so he and Lisa have a week of each other's time. During this week, Lisa actively spy on the suspicious actions of the neighbors, climbed the stairs with high heels, and showed the determination and courage to the male protagonist that she wants to live with her, which is cute and admirable. By the end of the story, Jeffrey fell asleep with both legs in casts from fighting the criminal. Lisa changed into light and simple clothes and took off her high heels, as if she had completely changed herself. But when the camera turned, Lisa quietly put down the travel adventure magazine and opened the fashion magazine. Lo and behold, their essence hasn't changed! But because they love each other, they compromise and try to change themselves. But then what? What happens after the male protagonist's leg injury gets better? Will you be bored and leave immediately? Is the heroine ready to give up her costumes and go to an unknown and dangerous place? When the heroine takes off her clothes and makeup, in the eyes of the hero, will she still be as sexy and charming? I have no idea. The relationship is similar to the characters above, but the film presents them with an open-ended, not-so-sad ending. The male protagonist is a photographer who sleeps in the wind, yearning for the stars and sea in the distance. The heroine is a charming lady who dresses up and enjoys every highlight moment, living a comfortable life in a small town. If they want to get married, if they want to settle down, there needs to be a compromise from one of the parties. Indeed, because they are different from each other, they are attracted to each other, and they are fatally attracted. But at the same time, they also expect that each other's beautiful "highlight moments" will not be destroyed by each other. The beginning of the story introduces: Jeffrey's leg has a cast and is forced to stay in the town, so he and Lisa have a week of each other's time. During this week, Lisa actively spy on the suspicious actions of the neighbors, climbed the stairs with high heels, and showed the determination and courage to the male protagonist that she wants to live with her, which is cute and admirable. By the end of the story, Jeffrey fell asleep with both legs in casts from fighting the criminal. Lisa changed into light and simple clothes and took off her high heels, as if she had completely changed herself. But when the camera turned, Lisa quietly put down the travel adventure magazine and opened the fashion magazine. Lo and behold, their essence hasn't changed! But because they love each other, they compromise and try to change themselves. But then what? What happens after the male protagonist's leg injury gets better? Will you be bored and leave immediately? Is the heroine ready to give up her costumes and go to an unknown and dangerous place? When the heroine takes off her clothes and makeup, in the eyes of the hero, will she still be as sexy and charming? I have no idea. Turning her head, Lisa quietly put down the travel adventure magazine and opened the fashion magazine. Lo and behold, their essence hasn't changed! But because they love each other, they compromise and try to change themselves. But then what? What happens after the male protagonist's leg injury gets better? Will you be bored and leave immediately? Is the heroine ready to give up her costumes and go to an unknown and dangerous place? When the heroine takes off her clothes and makeup, in the eyes of the hero, will she still be as sexy and charming? I have no idea. Turning her head, Lisa quietly put down the travel adventure magazine and opened the fashion magazine. Lo and behold, their essence hasn't changed! But because they love each other, they compromise and try to change themselves. But then what? What happens after the male protagonist's leg injury gets better? Will you be bored and leave immediately? Is the heroine ready to give up her costumes and go to an unknown and dangerous place? When the heroine takes off her clothes and makeup, in the eyes of the hero, will she still be as sexy and charming? I have no idea.
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