Slow rhythm, poor suspense, dark picture

Clark 2022-04-19 09:01:01

Rear Window

Rear Window

The rhythm is too slow, I dozed off watching it, and came here with the expectation of watching a suspenseful detective film, I really couldn't continue watching it. Why does the female lead give up on the male lead, this setting is also quite strange

Don't say it's a bad movie, but I really don't see where the magic is

There are too many irrelevant things. Through the window, you can see beautiful women doing aerobics and puppies, but these have nothing to do with the theme. It can only be said that it adds philosophical thinking to the film. What are the big truths of life seen in the suspense film

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Rear Window short comments

  • Justice 2021-10-20 18:59:43

    The scheduling and rhythm are amazing. The first long shot explained all the things that some directors had to spend more than a dozen sentences to explain without saying a word, and the subsequent unsettled cases themselves seemed to be McGoffins, just for String the stories that happened in different windows.

  • Antonetta 2022-03-26 09:01:01

    Replaying, every inch of lens movement is firmly limited to the line of sight, which confines both the character and the audience. The long camera lens is like extended facial features. Why is it not a kind of neurosis to peek? Jeffery's confusion and fear of marriage were cast into the back window one by one, and the audience's desires were also projected onto the screen. Don't forget that Lisa has played the ideal role in Jeffery's heart to gain appreciation. Xi Pang's mockery of the "good ending" is like a secretive, wonderful.

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Rear Window quotes

  • L.B. Jefferies: I've seen bickering and family quarrels and mysterious trips at night, and knives and saws and ropes, and now since last evening, not a sign of the wife. How do you explain that?

    Lisa Fremont: Maybe she died.

    L.B. Jefferies: Where's the doctor? Where's the undertaker?

  • [Jeff dials the number for Thorwald's phone. Thorwald is seen from a distance walking over to the phone and standing by it]

    L.B. Jefferies: [quietly to himself] Come on, Thorwald, answer it. Come on, you're curious. You wonder if it's your girlfriend calling. The one you killed for. Go on, pick it up!

    [Thorwald is seen picking up the phone]

    Lars Thorwald: [voice] Hello?

    L.B. Jefferies: Did you get my note? Well, did you get it Thorwald?

    Lars Thorwald: [voice] Who are you?

    L.B. Jefferies: I'll give you a chance to find out. Meet me in the bar at the Albert Hotel. Do it right away.

    Lars Thorwald: [voice] Why should I?

    L.B. Jefferies: A little business meeting... to settle the estate of your late wife.

    Lars Thorwald: [voice] I... I don't know what you mean.

    L.B. Jefferies: Come on, quit stalling or I'll hang up and call the police. Would you like that?

    Lars Thorwald: [voice] I only have 100 dollars or so.

    L.B. Jefferies: That's a start. I'm at the Albert now. I'll be looking for you.

    [Jeff hangs up]

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