The changes in emotions are very slender, and the shaping of the characters is also very three-dimensional. There are some details I like very much: even the girls are not spared by the crotch; the female protagonist, whose brows are locked all the way, even if she does not believe in reincarnation, she will cry and laugh when she sees the deer under the billboard; The ex-husband's domestic violence, on the other hand, is still haunted by his cheating, and he didn't let it go until the end. I hope that the ex-husband can cherish the people in front of him who are harmless to humans and animals. Including the final reversal, it also appears real because of its incompleteness, and it is also advanced because of its authenticity. The complexity of emotions makes the contradictions intensify, and then they will find balance in the detours and embrace each other. The whole movie doesn't exaggerate the emotions, it just unfolds slowly and leaves a lot of leeway. It's like taking an unusual section from the life of ordinary people and showing it to everyone. The screenwriter is not from God's perspective to determine the ending of the characters in the play. The direction of the characters is a river, and it flows wherever it goes , it's over. The movie that gave me the same feeling was "Love and Blind Date", nothing got better, but it wasn't bad either.
View more about Three Billboards Outside Ebbing, Missouri reviews
