Personally, I think this is the best of the Mission Impossible series. Brad Bird's control of the rhythm and the shaping of the characters are so perfect. Brother Tom climbed the Burj Khalifa with his bare hands, swooped and swung between the buildings, and the people watching were numb, sweating, adrenaline soaring, and it was a blast.
Sometimes human skin masks don't solve all problems. (So taking off the mask at any time is really low, and the second part is really bad.) High-tech products will also fail due to lack of electricity. The teammates are not so reliable, and even the task cannot be completed smoothly, and needs to be remedied. And the agents are not so cold-blooded, they also have their own warm side.
The tasks in the two rooms are carried out by colleagues. Through the switching of the camera, it really grasps the emotions of the audience and makes people worry about it. Create an atmosphere through sandstorms, and fight with opponents in the dark. In the end, preventing the launch of the missile was due to the time, as well as the switching of the missions of the two sides and the shooting situation of the missile, which made people's nerves tense to the extreme, and they were able to relax at the last moment.
Rarely is Brad Bird able to add some irony to it. When it comes to social problems, the top executives usually simplify the problem, cover up the truth of the matter, and make mistakes concrete and dump them on innocent people. Reminiscent of the plot in "Horror Live".
And by the end of the film, the gap between this and the upper part was filled again. Even in the end, when I meet my lover again, there is a kind of chivalry in Jin Yong's novels. It is better to forget each other in the rivers and lakes. And he also received the task again and set foot on the dangerous rivers and lakes alone.
The Mission: Impossible series, although each part is independent, but Brad Bird can be well integrated with the previous work on the basis of completing the story. On top of the original story, the audience can extend another story and be moved by it. The soundtrack of the film also closely follows the story, which plays a major role in controlling the rhythm. And the little characters are not just paper people like the previous work. Their images are also developing in dialogue and plot. As the story progresses, they gradually become fuller and become flesh and blood. The control of the rhythm is also very good, and some jokes are always added to the tense and exciting special agent tasks, so that the nervous nerves of the audience can be relieved.
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