I checked the Internet and found that BC is really talented in acting. Needless to say, Sherlock Holmes also played Hawking. Even Turing is in his pocket. But I think it's funny when I think about these super-intelligent people: If they come back from the dead or come back to reality and put on 3D mirrors and enter the IMAX hall, what do you think they will say about STID?
I guess Holmes would say: I don't see logic. Hawking would say: I can't see the universe. And Turing would say: I don't see artificial intelligence - the Enterprise has so many human redundancies to replace computers and robots that it is too outdated and too aggressive.
At this time, Khan, another intelligent superman, couldn't hold back: Turing, at least you have seen your comrade, according to Ye Wen's syllogism, you have seen yourself, I can't even see myself, it's dark!
These are the speeches of Sherlock Holmes, Hawking, Turing and Khan (they have nothing to say but funny). Not my opinion (and certainly not BC's). Below is.
I am familiar with Taiwanese culture. There is a so-called Gezi Opera in Taiwan's traditional drama, and one of the unique genres is called "Hu Puzi", which is said to be derived from the Japanese pronunciation of Opera. The word huyu is roughly equivalent to the so-called huhuan in northern dialect (but it is not guaranteed to be correct), but it is a very lively and happy Huluan, and it is natural to be exaggerated and miscellaneous. Having said that, this film is actually a kind of hooligan, space hooligan, and its scientific name is space opera. I saw the film review of netizen fomalhaut saying that after watching this film, I have to say goodbye to space opera. Although it is reasonable, I think the truth is just the opposite. There is no need to say goodbye, it is a reunion after a long absence. This film is a very traditional space opera.
Space opera actually originated very early, decades before humans landed on the moon, or even before World War II. Otherwise, where would those ridiculous cell phones, death light guns, and crew-neck shirts come from, not to mention those aliens who had plastic surgery and walnut kernels, they were all old fashioned. There is no direct relationship between the origin of space opera and the human dream of exploring the universe. I think it is more closely related to the human dream of escaping reality. When human beings became serious and genuinely explored the universe, they suppressed the rambling nature of space opera, forcing it to change its face into a new genre.
So what exactly is the traditional space opera I'm talking about? Interested friends can look for a novel that concentrates and satirizes the grandiose features of space opera: What Mad Universe (1950). Editors of science fiction magazines, I especially recommend that you find someone to translate it into Chinese as soon as possible. This book is so wonderful that it will definitely sell. The girdle of the Chinese translation can tell readers that after reading this book, they can know at least five anecdotes about STID:
1 . The bikini will always be the standard uniform for blonde astronauts, and no space opera is possible without it.
2. There must be walnut-faced, octopus-legged aliens as regulars or bartenders at the bars of Space Opera.
3. Warp drive wasn't accidentally experimented by nerd scientists out of puppies. It was accidentally touched by a nerd scientist from a sewing machine where his wife warp warp had twisted the thread.
4. The parallel universe was a very gorgeous narrative trick for space opera to spoof others to subvert itself.
5. In the infinite number of parallel universes in the quantum world, you can always find the only true love universe where the protagonist can’t die no matter how brainless, and the villain no matter how smart it is, the only true love universe is used to stage your favorite no matter how grand or bloated Not too much space opera (Pavarotti's nine-turn soprano C~~~ plus Cumberbatch's serial subwoofer++++).
Space opera is born too early. When it was made into a movie, how could there be special effects and 3D? Even the model doesn't look like it. To get a dead light or a personnel transfer, you have to scribble with a highlighter on the film. Aliens have to wear super-thick latex hoods (or four-headed hoods), and the alien wasteland is full of super-slim paper rockeries (or paper-paste spaceships). Because it's too fake and the audience is not all fools, so I had to find a mystery to support the scene. It is for this reason that the tricks of parallel universe and time-travel are paradoxically pulled to shock the audience, so that people can forget the headgear and the rockery for a while. But that's not what space opera movies are supposed to be, just like Spock shouldn't be wearing a hood and sticking to cat ears. It is not until today that special effects 3D have a head-to-head that space opera really ushered in its long-overdue spring: the story of Hu Kui has to be presented in an exaggerated medium.
So I make a bold prediction: Space opera, in the eyes of Sherlock Holmes, is logically chaotic, in Hawking’s eyes, flying beyond physics, in Turing’s eyes, outdated but full of passion, in Khan’s eyes, it is all about personality and luck. , its movie future is bright. Although its time was once paused, it has been restarted now, isn't it? A verse that was once quoted by Asimov at the end of the 1949 Galactic Empire prequel Pebble in the Sky:
Grow old along with me,
The best is yet to be.
Let's see!
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