Edgar Wright's visual comedy can be said to be unique in the current film industry, and all the films have a strong "otaku" flavor, and all kinds of otaku's small thoughts and eccentricities are brain-drenched at first glance. Yes, but Ant-Man seems to be a little uncomfortable after that. Even in this part, he is still a little unaccustomed to the situation, and he may still be kidnapped by the producer system.
The first advantage is that there is a drag racing scene and a long shot at the beginning, which is very beautiful and can be said to be very delicate. The rhythm of the racing car follows the music completely, and the music stops the drag racing scene. The time is just right, and the careful thought of getting rid of helicopter tracking in the tunnel is also Very "old driver" style. Including the long shot of the opening sequence where the baby goes out to buy coffee and divide the spoils, it is also difficult to execute. There is still a big gap in the contrast between the front and back of the same long lens, and it feels like a simple dazzling skill. And Jimmy Fox's first robbery scene was also very thoughtful. The camera was fixed in the car, and then the car moved, and the camera moved away. The male protagonist didn't want to see the violent scene, and the audience didn't want to see it. Basically, it was strengthened again. The character of the male protagonist, the background of being kind and being forced to do things that you don't want to do is more obvious. Then the camera car returned to the original position to see a security guard lying on the ground and hung up. At the same time, it gave the baby and the audience a hard blow. We all This is the first time I have seen the robbery of a dead man. It is different from the previous painting style. The basic Jimmy Fox character design has also come out. Combined with the car chase in the back, the Jimmy Fox character design is basically complete by the end of this robbery: ruthless, watch A standard villain who is very accurate, but there is nothing special about it. A horizontal comparison of Kevin Spacey's "villain" can be said to be too stereotyped. Kevin Spacey's role can be said that the director used a lot of small things. The mind is also a ruthless and a little otaku. He also has a kind of character that acts as an enemy, a friend and a father to the baby. When escaping for his life, he packed his toy cars one by one, and the little expression after the baby dropped the toy car on the ground is very In place and that little bit of narcissism "I'm talking and I draw the route and I'm awesome" This kind of small emotion is particularly cute, and the already chubby President Xiamu plays this role with its own contrast and cuteness. Overall, It's a very "cute" and "homey" movie.
But the biggest problem is that people have not started, and the changes are too fast. The first is that the protagonist turned black too fast or the front and back were contradictory. The male protagonist who was still a coward suddenly killed Jimmy Fox without any foreshadowing, and suddenly attacked, causing the back to lose control, and the male protagonist from the front "cowardly" The setting is unreasonable. The male protagonist just wants to finish this ticket to accompany the female ticket. Chasing the car in front also has a good chance to kill Jimmy Fox. He didn't do it in the front, why did he suddenly find out in his conscience later? Including Jimmy Foxx, who also suddenly attacked. Seeing the apd and shooting suddenly, it was too brainless, and Kevin Spacey also had no opinion. In the end, he was coerced by the team and couldn't see the control of this character at all. How did he convince the public before? ? The insiders who killed a whole team were not hot at all. In the end, they were counter-coerced by the team, including the split of several robbery scenes, which had almost no effect on the progress of the plot. Several robbery scenes could exist as short stories, which basically did not help the whole movie. The characters No growth, it can only be regarded as a sketch, although it looks good, but it lacks the unique visual style of Edgar Wright, neither the extreme comic style of the crooked boy Scott nor the blood and ice cream three. Qu's large number of British humorous otaku stalks are generally still an action crime comedy mixed with Hollywood and British humor that is not good enough. Since it is Edgar Wright, I will deduct one star for criticism.
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