"Fifteen Million Miles" is much more than that. When darkness is shrouded in the sky, can you remember the original childhood dream, can you keep yourself and look forward to the light? When there is a cry on the silent land, can you still set off the slightest wave of pursuit of truth? The film, a kind of human nature, has never been real, never oneself... In this film, the characters are very vivid, which seems to be a reflection of the society. For example, Bing and Abby, like typical characters in society, Bing never really got himself, even on the stage, his brief catharsis did not exchange for the truth of his future, just as he never got and never Lost, in the face of this kind of life, Bin doesn't want to compromise, he has his own thoughts and his own thoughts, he yearns for real feelings, his tenacious thoughts have never been well interpreted, until the appearance of Abby, let this cold In the space under the management of this zombie system, the truth seems to come quietly, and it comes to the side that Bin has always longed for. Bin puts all the good on Abby. Abby can be said to be a part of Bin's true sense of beauty. This interpretation is also Bin's new expectation for this kind of micro-society, but with the stage of display, Abby was "exiled", and Bin's beauty and truth were also "exiled" by this evil stage. This makes Bing break down, and what Bing breaks down is not Abby's departure, but the passing of a beautiful sense of reality and warmth... In the film, there are also symbolic elements. It implicitly metaphors and explains the progression and development of the plot. It can even be said that it is a real passage and the "evolution" of human nature. When the glass knife appeared in front of Bin, Bin's original idea was to use the glass knife to solve his own life and free himself from this collapsed reality, but the element of meditation water appeared in the picture, which made Bin stop the movement in his hand, Bin thoughtlessly put the glass knife under the bed and started to carry out his own plan. Bin worked hard to numb himself, and let the puppet-like self have goals and motivation, which seemed to reflect some phenomenon in society. People around Bing are riding their bicycles day after day in their own numbness, without any emotional waves and surprises, and they have even become accustomed to the unreal life under this rigid system. The people around are immersed in this kind of virtual life, only Bing, even if he is numb, is pursuing what he wants, and everything seems to exceed expectations, which runs counter to the psychological expectations of the audience. In the end, on the stage, Bin recklessly expressed his thoughts without reservation, holding a glass knife to give his own monologue, but in exchange for the simple words of "Hope", "Mercy" and "Phantom", and even Bin was given a very objective condition. Bin was also an ordinary person. Under these conditions, Bin was driven and eventually became the person he hated the most at first. This kind of micro-society was driven by symbolic elements and characters and was very specific. It reflects a compromise phenomenon in modern society. Abandoning the real self and welcoming the virtual life is not the choice of Bin, but the truth will never belong to Bin, and the glass knife has also become a "sacred" prop for Bin to embark on a new life. . The use of music in the film gives the film a lot of rendering power, and also contributes a unique meaning to the theme and plot. In the clip, at first there is soothing and low-pitched music, which is a simple foreshadowing and explanation for the character of Bin, and also explains this life state. In this space, Bin works aimlessly and lives numbly. But he maintains his little bit of truth and the remaining tenacious willpower, and with the appearance of Abby, frivolous music appears in the film, which has a moderating effect of music on the plot and characters, and also implies that Bing's hope for a true pursuit is slowly rising. When Abby compromised with the three mentors and bowed her head to this hypocritical life and this micro-society, there was no such light music in Bin's life until the end of the film, after Bin's show ended, In a spacious new room, Bing has also become a walking dead with no real emotions, just a person who survives in hypocrisy. When the music starts, is this the last consolation for this film, or is it a compromise of fate? Why is it that I have never been true to myself? In "15 Million Miles", no matter who, no matter what class Representatives, no matter in various ways, everyone is living in various ways for their own lives, making choices about their own lives, and bowing their heads to life under the management mode of this numb micro-society, and that only A little bit of truth that exists, seems to have appeared, but never appeared...
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