Linear sense of roaming, long mirror enhances the sense of roaming. The archetype is: like a town called Aeschylus, hinting at an Odyssey-esque roaming tale. Here is a roaming out, looking for and delivering letters.
The scenery on the road is different. Barren no-man’s land, dense wire mesh, abandoned farmhouse orchards, decapitated fruit trees, friendly troops, hitchhiking, getting out of the car and entering the enemy town like a dream, surviving lives, girls and babies in the corners of the ruins, and the surrounding Running in a blockage and rafting in a river can be found in the guidance of singing.
There are no obvious transitions between scenes, and the film compresses the process of transition. Scenes and scenes are omitted, bringing a sense of dream. The dream scene is a direct conversion;
It can also be said to be a clear conceptualization, frank intent. The intent doesn't mind: all I want is the individual scenes. During the transition can be done, but I do not want to do, do not need to do. The audience will understand the process, but only the best part needs to be given to them. It is not necessary for the mind to actually see it.
Soothing is a cherry orchard, the most beautiful scenery on the way. The vertical collision with the charging team, with different purposes and choices, is a special image.
Blake's appearance is not long, there are several vivid details, and he needs jokes to relieve tension and pressure, and a clear character setting. Jokes about rats are associated with rats detonating mines. The one who saves people is straightforward, and the two times they save people are in an instant, it is natural, and they die because of saving people.
Eliminating this sympathy should be part of military training, and sympathy for the enemy leads to sacrifice. But it is human emotion that ends the war. Jumping into the trenches and seeing dead bodies is an instinctive moment, but also isolation. The older brother is thinner and one size smaller. But the older brother's character is a complement to his younger brother, and his leadership can help to understand Blake, his directness when saving people, and his candid composure when roaming.
The protagonist is somewhat inferior, but also wonderful. There are grumblings about the mission, but it's also steadfast in doing it. When pushing the cart as hard as you can, the suppressed emotions that you have accumulated burst out, and the touching moment lies in its subtlety and forbearance. The restraint of passionate emotions, this repressed expression is touching.
It is much more clever than sensationalism. "Yaobai" is sensational, a common problem in Guanhu movies. People's natural state is always to restrain their emotions, especially when strong emotions are backlogged, and they will not let them express themselves.
But emotions need an outlet, and a natural outlet can be equivalent to venting emotions. The sequence, time, method and intensity are appropriate, different methods have the same effect. It's an important method, a way of getting things done.
Missing the beginning, theatrical movies always miss five minutes.
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