View more about City of Ember reviews
City of Afterglow
Cheyanne 2022-01-03 08:01:30
This is like a live-action Hayao Miyazaki cartoon, with too many elements of Hayao Miyazaki. The anti-industry and anti-war back to nature are like the clumsy and rusty robots in the Sky City, just as different pointers can open Howl's mobile castle of different destinies. When Lena put on a red cloak and her long slender legs galloped down the dimly lit industrial streets, I saw the shadow of Hayao Miyazaki. Including the sewers, the monsters in the sewers, the sleepy old plumbers all day long, the huge and bulky generators, the greedy and corrupt mayors and the voles-like secretaries, and even Lena’s sister who runs away, everything is too much. Hayao is gone. If it is a cartoon, it should be a good one, but as a movie, it is a bit rough. But scripts are one of my favorites.
Extended Reading
-
Loris Harrow: [narrating] Lina and Doon tied their hope to a rock and tossed it down toward the city. The rock could've ended up on a roof. Or kicked into a gutter. But fate ran another course. And the message found its way. Now the path was clear for all. All of us who kept the flame of Ember burning, through the darkness, so that we could live again on the earth, in the air and the light.
-
Loris Harrow: [to Doon] Builders were wise when they said, "If you have proof, you have to pursue it!" There's more to a bottle cap than keeping liquid from leaking out of glass!