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Reid 2022-04-23 07:01:15

The movie is definitely a high score, but there is a slot and needs to be improved a bit.

1. The relationship between the male protagonist and the president's daughter is developing too fast, and it is not necessary. It doesn't help the whole story. It also causes negative social effects.

2. A point that can improve performance. When the male protagonist's father was disposing of the body of the former housekeeper and nanny, I saw the director's camera facing the toilet. I thought his boss would dismember the female nanny and flush it out through the toilet.

I like this movie so much, the collision of classes (the comparison between the male protagonist's class and the president's class), the greed of human nature (the male protagonist sells his family to the president's house), the choice between freedom and imprisonment, especially the male protagonist's family would rather live In the bomb shelter of the president's house, where the sun never sees the light and there is never freedom, he does not want to live on the negative floor where he can see at least half a day and a full day of freedom.

The most innocent is the president's family, the victim of social class friction.

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Extended Reading
  • Adela 2022-03-25 09:01:05

    I thought it was the idea of ​​escaping from the town of Death. I have been waiting for the reversal, but it didn't happen. The result was a superficial tension between the rich and the poor. And the discussion was very boring. My girlfriend warned that it was a bad movie a hundred times, and forced me to watch it, my girlfriend. Plus, is such a wealthy family that they can only eat udon noodles when they are hungry at night? Gee, Korean food and drink pills.

  • Ferne 2022-03-24 09:01:16

    2.5. A fully enclosed structure formed by the causalization of a high degree of psychological motivation, the intention is straightforward like a political textbook. Constructing a complete and one-to-one corresponding action/reaction system itself is the operating mode of capitalism. No matter how carefully the content is set up close to the preset social class issues, it still stands unconsciously on the side of its opponents in terms of methodology. The conceptualization becomes more serious as it moves towards the end, and the interest of the movie itself is lost. It can be regarded as one of the worst Palme d'Or, not much better than the wandering Dupin.

Parasite quotes

  • Kim Ki-jung: [about Moon-gwang] She may look like a sheep, but inside, she's a fox. Sometimes she acts like she owns the house.

    Kim Ki-woo: Right. Of all the people in that house, she's lived there the longest. She was housekeeper to the architect Namgoong, but then she went on to work for this family. When the architect moved out, he introduced this woman to Park's family, telling them, "This is a great housekeeper, you should hire her".

    Chung-sook: So she survived a change of ownership.

    Kim Ki-woo: She won't give up such a good job easily.

    Kim Ki-jung: To extract a woman like that, we need to prepare well.

    Kim Ki-woo: Right, we need a plan.

    Park Da-hye: [cut to a scene with Ki-woo and Da-hye] I want to eat peaches. I like peaches best.

    Kim Ki-woo: Why not ask for some?

    Park Da-hye: No peaches at our house. It's a forbidden fruit.

    Kim Ki-woo: [cut back to the Kims; referring to Moon-gwang] So according to what Da-hye told me, she's got a pretty serious allergy to peaches. You know that fuzz on the peach skin? If she's anywhere near it, she gets a full body rash, has trouble breathing, asthma, a total meltdown!

    [Moon-gwang falls sick after Ki-woo puts peach fuzz on her]

    Ki-taek: Anyway. I wasn't trying to eavesdrop, but her words came through clearly! So I couldn't help but...

    Kim Ki-woo: Cut, cut! Dad, your emotions are up to here. Bring them down to about there.

    Ki-taek: So I couldn't help but overhear...

    Kim Ki-woo: Keep it focused!

    Ki-taek: [to Mrs. Park] What I'm trying to say is... it's just that, your housekeeper's voice is quite loud, you know?

    Park Yeon-kyo: I understand, it's all right. Just tell me, okay?

    Ki-taek: She said she got diagnosed with active tuberculosis and she was practically shouting over the phone, so upset she could barely control herself!

    Park Yeon-kyo: Tuberculosis? Come on...

    Ki-taek: It's true, she phoned someone saying she had active TB.

    Kim Ki-wooPark Yeon-kyo: Do people still get TB?

    Kim Ki-woo: [cut back to the Kims] Dad, back in the day, people used to buy Christmas Seals, right? Feels like a bygone era.

    Ki-taek: [cut back to Ki-taek and Mrs. Park] But I saw it on the internet. Korea has the #1 rate of TB of all the OECD countries.

    Kim Ki-woo: [cut back to the Kims] But she's still working, as if nothing's wrong - with a kid like Da-song in the house.

    Ki-taek: [cut back to Ki-taek and Mrs. Park] So you've got a young kid like Da-song in the house, and a TB patient is doing dishes, cooking, spraying spittle...

    Park Yeon-kyo: Stop it, please!

    [cut to the Kims putting peach fuzz on Moon-gwang, causing her to fall sick again, and Ki-taek using chili sauce to fake Moon-gwang's blood]

  • [last lines]

    Kim Ki-woo: Dad, today I made a plan - a fundamental plan. I'm going to earn money, a lot of it. University, a career, marriage, those are all fine, but first I'll earn money. When I have money, I'll buy the house. On the day we move in, Mom and I will be in the yard. Because the sunshine is so nice there. All you'll need to do is walk up the stairs. Take care until then. So long.