One question: who unchained the man in the underground darkroom?

Tamara 2022-04-22 07:01:03

Let’s briefly sort out the plot first: Taking advantage of the opportunity of the homeowner’s family to go out, Jin’s driver and his family took advantage of the carnival. They didn’t want to kill the former nanny. The driver's name is easy to remember, so I won't call him the man in the basement 2.0) to give food. The Jin driver's family discovered the secret, and it was also discovered by the former nanny and his wife. They had a handle on each other and fought for the Zhongjin driver's family to gain the upper hand. They tied up the man in the basement. , bumped his head.

OK, let's talk about it now.

The former nanny originally wanted to untie the man in the underground dark room, but after trying twice, he fell to the ground, saying that he was dizzy and could not see clearly. This is the last time she moves and speaks, and the last shot is of her dead and buried by the driver Kim. She should have died from a severe head injury, and she did not successfully untie her husband.

In the back, the driver's son took a stone to silence him, but was ambushed by a man in the underground dark room.

The question is, who loosened him?

People would say the homeowner's son because he got a distress call. But from the plot point of view, to go to the dark room from the basement requires an adult like the former nanny or the son of the driver Jin to push the cabinet sideways, how can the owner's son do it when he is so young? ?

It was impossible for him to tell his parents, because his parents knew that 90% of the time they were going to call the police, and if they didn't call the police, they wouldn't foolishly continue the party without any preparation.

In fact, what I originally thought when I saw this was that the owner and his wife suspected that the Jin driver's family was suspicious through smell. His son received a signal and told them that he had found a man in the underground dark room, and then through this man, he completely grasped the Jin driver's family. problem, and finally at the party openly dismantle them, ridicule them, and then Kim driver is provoked and arrested for murder.

But that's just what I think.

In addition, I also have an impression. With the bright minds of the Jin driver's family of four, if he works well, it is not realistic to be rich and rich, but it should not be a problem to live an ordinary life. For example, one can drive a taxi, one can be a chef, and one can go to an advertising company to do art design. Only his son may not be able to find a job very easily. The film tells about their family's financial difficulties, but it doesn't tell why they are in financial difficulties (it seems that there are no cases of being cheated, owed foreign debts, and no patients).

The most terrifying thing in society is not poverty, but that no matter how hard you struggle, you can't see hope. After watching the film, I feel that as long as everyone in their family works hard, there is still hope that they can get rid of poverty and improve their lives.

View more about Parasite reviews

Extended Reading
  • Morgan 2022-03-22 09:01:13

    【9】#Cannes72# The seventh game of the main competition. It is also an Asian genre film, and it is also a story of the lowest level of people. There were knees licking into the competition, and 2,600 Lumiere clapped for eight and a half minutes. Feng Junhao has compassion for the people at the bottom. He did not use the stories of the people at the bottom as a cultural tool or a bargaining chip for personal endorsement.

  • Chadrick 2021-10-20 18:58:47

    Those domestic art film directors who can only focus on the camera and don’t take people to sleep can learn, what a movie is, what is the rhythm of the script, the language of the lens, the hook of the script, and they are immersed in their own day by day. In the country of art, Chinese movies are driven by the faithful believers of the new wave. Because they don’t know how to do it, they are known for engaging in art. They are closed after ten minutes. Can’t catch the audience. Are you filming you there? What about art? Deconstruct the metaphors and themes of the story with attractive audio-visual premises. This is to understand the film and make the film. It is also a long shot. People use it for plot reversal. This is obviously only using long shots to do their own skills. The art director of the fig leaf is full of irony from the film market. You can say that Korean movies always have dark themes over and over again, but they are now at least the masters of Asia in terms of film audiovisual techniques (photography, lighting, editing). Commercial rhythm is not a commercial film. It is the film's job to use commercial rhythm to talk about art!

Parasite quotes

  • Kim Ki-jung: [about Moon-gwang] She may look like a sheep, but inside, she's a fox. Sometimes she acts like she owns the house.

    Kim Ki-woo: Right. Of all the people in that house, she's lived there the longest. She was housekeeper to the architect Namgoong, but then she went on to work for this family. When the architect moved out, he introduced this woman to Park's family, telling them, "This is a great housekeeper, you should hire her".

    Chung-sook: So she survived a change of ownership.

    Kim Ki-woo: She won't give up such a good job easily.

    Kim Ki-jung: To extract a woman like that, we need to prepare well.

    Kim Ki-woo: Right, we need a plan.

    Park Da-hye: [cut to a scene with Ki-woo and Da-hye] I want to eat peaches. I like peaches best.

    Kim Ki-woo: Why not ask for some?

    Park Da-hye: No peaches at our house. It's a forbidden fruit.

    Kim Ki-woo: [cut back to the Kims; referring to Moon-gwang] So according to what Da-hye told me, she's got a pretty serious allergy to peaches. You know that fuzz on the peach skin? If she's anywhere near it, she gets a full body rash, has trouble breathing, asthma, a total meltdown!

    [Moon-gwang falls sick after Ki-woo puts peach fuzz on her]

    Ki-taek: Anyway. I wasn't trying to eavesdrop, but her words came through clearly! So I couldn't help but...

    Kim Ki-woo: Cut, cut! Dad, your emotions are up to here. Bring them down to about there.

    Ki-taek: So I couldn't help but overhear...

    Kim Ki-woo: Keep it focused!

    Ki-taek: [to Mrs. Park] What I'm trying to say is... it's just that, your housekeeper's voice is quite loud, you know?

    Park Yeon-kyo: I understand, it's all right. Just tell me, okay?

    Ki-taek: She said she got diagnosed with active tuberculosis and she was practically shouting over the phone, so upset she could barely control herself!

    Park Yeon-kyo: Tuberculosis? Come on...

    Ki-taek: It's true, she phoned someone saying she had active TB.

    Kim Ki-wooPark Yeon-kyo: Do people still get TB?

    Kim Ki-woo: [cut back to the Kims] Dad, back in the day, people used to buy Christmas Seals, right? Feels like a bygone era.

    Ki-taek: [cut back to Ki-taek and Mrs. Park] But I saw it on the internet. Korea has the #1 rate of TB of all the OECD countries.

    Kim Ki-woo: [cut back to the Kims] But she's still working, as if nothing's wrong - with a kid like Da-song in the house.

    Ki-taek: [cut back to Ki-taek and Mrs. Park] So you've got a young kid like Da-song in the house, and a TB patient is doing dishes, cooking, spraying spittle...

    Park Yeon-kyo: Stop it, please!

    [cut to the Kims putting peach fuzz on Moon-gwang, causing her to fall sick again, and Ki-taek using chili sauce to fake Moon-gwang's blood]

  • [last lines]

    Kim Ki-woo: Dad, today I made a plan - a fundamental plan. I'm going to earn money, a lot of it. University, a career, marriage, those are all fine, but first I'll earn money. When I have money, I'll buy the house. On the day we move in, Mom and I will be in the yard. Because the sunshine is so nice there. All you'll need to do is walk up the stairs. Take care until then. So long.