The world is often unkind to new talant, new creations.
The new needs friends.
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The natural enemy of the kitchen, the mouse, is set as the image of a dreamer who pursues the dream of a chef and has a unique talent, this film It is to use such contradictions to let the audience understand that we should accept people and things that are different from ourselves with the most tolerant heart.
It's an interesting film indeed, not only because of the humor of the clash between the reality of being a mouse and the dream of being a chef, or the hilarity of Linguini's character, but because the mouse, Remy, pursues more than Dream, what he pursues is a dream that is not accepted by the world.
However, good movies always give us hope. A delicious meal can bring the devil critic back to a long-buried childhood, and I believe we are worth the wait. As this critic said, the world is always hostile to new talents and creations. We are worth waiting, waiting for a touch, waiting for a miracle, waiting for the end, we can become friends with "the whole world".
[By-the-ways]
The old lady at the beginning of the film is very much like the "Mask Landlord" in "The Mask". Are the elderly living alone ready to "challenge" with a shotgun at any time?
Chef Gusteau's erratic, erratic, is also very much like the magic lamp giant in Disney's old classic "Aladdin".
The short and toothy chef in the film is quite like Da Bing. It is suggested that Brother Bing can refer to and imitate it, huh, huh.
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