The award is for the title, but not for the content.

Alta 2022-04-20 09:01:04

The likes and dislikes of a movie are like a dish in a restaurant. People who like the taste will be full of joy. If there is a waiter explaining that vegetables are organic, meat is sour, and the chef has won awards , the seasonings are all imported from Albania. Do you feel that this dish is much taller in an instant? Not so. The real taste is always the first feeling that does not need to be interpreted. Simply put, if you get on well with someone, it's never because of whether he or she is from the United States.

I believe that most people's first movie viewing experience is more or less incorrect, and they cannot accurately interpret the title of "No country for old man" - this is the director's problem, or the original book's problem, but It's not the audience's problem. If you haven't read the original, then this is a very obscure subject, ten people will have ten answers, and everyone will focus on a different plot. This is the so-called forced interpretation, just like the popular dark cuisine, it may lead to food poisoning.

The film can be divided into two parts, the first part is a one-man show, completed by an old police officer who is about to retire, and the other part consists of a cold-blooded and ruthless killer who accidentally stumbles into the scene of a drug deal and picks up a large box of cash. of hunters.

In the first part, the old policeman is an absolute bystander, while sighing his own powerlessness, while lamenting the impermanence of the world - there is a bug here, the last sigh of the old policeman who has worked all his life, what is the profound meaning? Therefore, the plot of the old policeman is completely separated from the process of the killer's pursuit, and has almost nothing to do with it. Another part of the plot is that the killer keeps chasing the hunter who has picked up the money. The purpose of both of them is to take the money as their own. In this way, you run after me until the end of the film. It is so simple that it is almost boring, and the meaning of existence is only Just a pity for the old cop. The director wickedly set up a few scenes in the film that were almost irrelevant to the main line, and added a few lines of dialogue that were half-understood for the audience to guess. Is it ingenious? Maybe more like an innocuous little smart.

But it is precisely these clever people who made this film, because "film critics" really like to ponder these vague and obscure little plots, plus their own speculations and long-winded discussions, leaving some people's opinions. In terms of box office, this is a failed police and gangster film, but it is not useless, at least the acting skills of the actors are remarkable. So remove these "King's New Clothes" and simply watch this film, does it really impress you?

Maybe sometimes, evaluating a movie doesn't need so many objective factors, just good and bad.

View more about No Country for Old Men reviews

Extended Reading
  • Jazmyn 2021-10-20 18:59:38

    With his non-professional cameo appearance, Zhao Zhongxiang won the best supporting actor Oscar for his role as a perverted killer.

  • Reagan 2022-03-24 09:01:07

    A silent masterpiece, without a soundtrack throughout, it really challenges people's limits. However, the absurdity of "old nowhere to rely" is precisely the sense of powerlessness that the film aims to create. After watching it, I suddenly found that the style and taste of the image ten years ago has been at a loss. If "Old Nowhere" is a movie of 2018, I am afraid that it will be verbally criticized by many people. This is really embarrassing in the torrent of the times. Helpless.

No Country for Old Men quotes

  • Carla Jean Moss: You don't have to do this.

    Anton Chigurh: [smiles] People always say the same thing.

    Carla Jean Moss: What do they say?

    Anton Chigurh: They say, "You don't have to do this."

    Carla Jean Moss: You don't.

    Anton Chigurh: Okay.

    [Chigurh flips a coin and covers it with his hand]

    Anton Chigurh: This is the best I can do. Call it.

    Carla Jean Moss: I knowed you was crazy when I saw you sitting there. I knowed exactly what was in store for me.

    Anton Chigurh: Call it.

    Carla Jean Moss: No. I ain't gonna call it.

    Anton Chigurh: Call it.

    Carla Jean Moss: The coin don't have no say. It's just you.

    Anton Chigurh: Well, I got here the same way the coin did.

  • [first lines]

    Ed Tom Bell: I was sheriff of this county when I was twenty-five years old. Hard to believe. My grandfather was a lawman; father too. Me and him was sheriffs at the same time; him up in Plano and me out here. I think he's pretty proud of that. I know I was. Some of the old time sheriffs never even wore a gun. A lotta folks find that hard to believe. Jim Scarborough'd never carried one; that's the younger Jim. Gaston Boykins wouldn't wear one up in Comanche County. I always liked to hear about the oldtimers. Never missed a chance to do so. You can't help but compare yourself against the oldtimers. Can't help but wonder how they would have operated these times. There was this boy I sent to the 'lectric chair at Huntsville Hill here a while back. My arrest and my testimony. He killt a fourteen-year-old girl. Papers said it was a crime of passion but he told me there wasn't any passion to it. Told me that he'd been planning to kill somebody for about as long as he could remember. Said that if they turned him out he'd do it again. Said he knew he was going to hell. "Be there in about fifteen minutes". I don't know what to make of that. I sure don't. The crime you see now, it's hard to even take its measure. It's not that I'm afraid of it. I always knew you had to be willing to die to even do this job. But, I don't want to push my chips forward and go out and meet something I don't understand. A man would have to put his soul at hazard. He'd have to say, "O.K., I'll be part of this world."