The black person in "Inglourious Basterds" is a very critical role. The black projectionist played King Kong. He lit the film and divided it three times. The scenes and emphasis were very obvious. The cinema is very similar to the theater of the 1933 version of "King Kong", the decorations have become Nazi flags (racism), and the audience fled after the fire. Protruding brackets similar to the King Kong platform
In the film, a British film critic talks to Churchill about Goebbels, saying that he is in Germany the equivalent of David Selznick, the greatest American producer, who made two of his most famous films with Inglourious Basterds are closely related, one is "King Kong" and the other is "A Star Is Born", but this producer has a bad problem, like to cut movie clips
"A Star Is Born" was originally filmed in 1930. The current version has only the soundtrack, and some pictures are replaced by stills. The lost part of the film was found back then, and the film box reads: The Lost Long Face. The name of the last chapter in "Inglourious Basterds" is: The Big Face of Vengeance. The Nazi premiere movie is called "The Birth of a Nation", and the Jewish woman cut it into her own "big face" movie in the middle. Quentin used the real historical story of the release of the film "A Star Is Born" (US) to make up the story of the film "The Birth of a Nation" (Nazi), which is very absurd and bizarre.
At the beginning of Inglourious Basterds, Germans are likened to eagles (the national bird of the United States is also an eagle), and Jews are dark mice in the basement. The Jewish women's premiere is by the window, inside the window is the projection room, outside the window is the Nazi flag, and the window is in the shape of a film roll. The projection room is likened to a dark basement, with only Jews and blacks in it.
"Inglourious Basterds" is indeed more complicated, but seize David Selznick's "King Kong" (racism), "A Star Is Born" (capitalism) as the main thread to understand the structure of the film and narrative, it is more clear. The bright line of the film is Nazi and Jewish, the dark line is American and black, the themes of both lines are the same, both are racism, Quentin's narrative skills are very superb.
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