Xing Sanshen Gathering is a description of prose, and Quentin, as always, has a chapter-by-chapter layout, and summed it up to a climax at the end.
The audience's emotions (or my emotions...) are in place.
Everything is in place at the end. It was suppressed before the outbreak, suppressed to the point of gnashing of teeth
and finally released, it was more than fun,
and at the end, only to find out that Quentin tampered with history, and it all ended with the burning of film.
I am also thinking, so-called shameless bastards It's not a concept stealing, that "Jewish Hunter" really makes people hate
Waltz's acting is really awesome, that kind of "kill a small case", "I have already calculated it, you just listen to me. "The feeling makes people hate its ugliness even more, obviously he is the shameless bastard
. The most Quentin thing is not a chapter, but the scene in the tavern
. . . . The speed of lightning is too fast to cover one's ears. . . The other thing is that the scalp
is cut and the mark is carved on the forehead, but the most impressive thing is the "scrambling spike" in the tavern.
Regarding the plot, the foreshadowing of the first chapter is explained at the end.
The whole article is full of contradictions between Jews and Nazis. And carry out "revenge" from two clues on the
one hand, the "Inglourious Basterds" led by Pitt, and on the other hand, the Jewish girl who escaped in the first chapter
and finally intertwined. . .
Interesting
another. . . The hanging scar on Pete's neck. . . What the hell is going on. . .
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