About the Quentin I saw, about the Inglourious Basterds I saw

Pearl 2022-04-21 09:01:05

I haven't watched Quentin's films for a long time. This director, who is stationed in my heart with extreme entertainment, can always get some unexpected happiness when I click on his films when I need entertainment. This glass of wine has a lot of stamina. Today I want to talk about Quentin and "Inglourious Basterds". It completely opened up and refreshed my understanding of Quentin.

As far as I can remember, Quentin's movies are also divided into chapters, like reading novels, they are organized, and each chapter knows what it is talking about.

The first chapter is about the arrest of the Jews by the German officer. I will not talk about the few scenes of the magic pen, including the sound of the piano. The officer's acting is impeccable, retaining his sense of identity while still retaining his humanity. His performance is extremely loose, jumpy, and entertaining, and his control of the scene is completely in line with Quentin's image temperament, which is even more powerful.

Then Chapter 2 Brad Pitt, one of my favorite men, comes on. Actually, I want to see Quentin not only for entertainment, but mainly because I really want Brad Pitt. We are all Sagittarius. Sagittarius sees Sagittarius. Always feel happy, there are unexpected things. Brad Pitts! The brutal pressure on the Germans and a small contrast to the first chapter where the German officers were located earlier.

Talking straight to the last German officer who saved the operation and then staged "Frontier" on the border, Brad Pitt said it was his masterpiece, yes, a strong contrasting finish. Don't forget, the title of the movie is Inglourious Basterds. We feel that the shameless Hitler died without doing anything, and the German officer who liked the movie proprietor saw his movie and went to the screening room to find his sister with guilt. … everything is not so extreme. , the temperament is just stuck on the words "Inglourious Basterds", playful, natural, escape, entertainment. The performance of the German officer was impeccable. Pete is handsome, and I like him, but he's way behind. Without the sense of character, the sense of playfulness, naturalness and sincerity is not as good as that of German officers.

The chapter part will be discussed here first, and then there is the bar, playing games, female star, filming, revenge, border, art, saying that this is my masterpiece.

Quentin has extremely strong entertainment information and strong control over character settings, character relationships, and the personalities of the characters in the film, as well as the main purpose of each scene.

The characters in his films are numerous and refined, with many lines running at the same time without knots. Characters - characters, sacrifices, foils, all very precise.

"Some people are alive, some people are dead, some people are dead, some people have to add cream to their bread, some people have to tie a bomb to watch a movie, some people have to kill people, and some people have to engrave some people. to hide”

Quentin uses strong narrative ability, neat lens language, unexpected scenes, and the entertainment and decentralization of events to provide an overall mood, which is his love for movies. This kind of love is very postmodern. But at the same time, very contemporary.

In the inner logic of the whole film, he uses a method of inner dramatic tension, collage. He takes out the available and tested camera language and uses it directly in the events and characters he creates. Then collage with a few brilliant shots, the impeccable performance of the actors, provides a very strong reflection, in the contemporary era.

And this kind of observation belongs to his unique taste and aesthetics, the movie world in his eyes, his memories and his enthusiasm, so I guess it is also because of his Hollywood past.

Quentin's strong personality, entertaining personality, high-level aesthetics, and the chemistry generated in the film language collage. Let him be unique in the world film industry, his films are of the times, and they are also contemporary. He does not sell the empty emotions and inauthenticity of contemporary people, but at the same time confronts and reflects contemporary people in this way. I just want to say, awesome. Another unique charm of Quentin's films is that every time you reminisce to the end, a very positive emotion is driving you, and this emotion will naturally connect to life. If you also love movies, then you will be very happy watching his movies, he really created movies for movie fans, and because he is also one of movie fans. Movies are his beliefs, his gods, movies made for movies, that's what fucking worth!

I'm sure no one loves movies more than he does, at this point. After all, he loves movies so much, loves black, loves hormones, you can't ignore him, you have to look forward to him.

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Extended Reading

Inglourious Basterds quotes

  • Col. Hans Landa: What a tremendously hostile world that a rat must endure. Yet not only does he survive, he thrives. Because our little foe has an instinct for survival and preservation second to none... And that, Monsieur, is what a Jew shares with a rat.

  • Lt. Aldo Raine: [Drawing a map] Up the road apiece, there's an orchard. Now, besides you, we know there's another kraut patrol fuckin' around there somewhere. Now if that patrol were to have any crackshots, that orchard would be a goddamn sniper's delight. Now, if you ever want to eat a sauerkraut sandwich again, you gotta show me on this here map where they are, you gotta tell me how many there are, and you gotta tell me what kinda artillery they're carrying with 'em.

    Sgt. Werner Rachtman: You can't expect me to divulge information that would put German lives in danger.

    Lt. Aldo Raine: Well, now Werner, that's where you're wrong, because that's exactly what I expect. I need to know about Germans hiding in them trees, and you need to tell me, and you need to tell me right now. Now, just take that finger of yours and point out on this here map where this party's being held, how many's coming, and what they brought to play with.

    Sgt. Werner Rachtman: [puts his hand over his heart] I respectfully refuse, sir.

    Lt. Aldo Raine: [a smack is heard offscreen] Hear that?

    Sgt. Werner Rachtman: Yes.

    Lt. Aldo Raine: That's Sgt. Donny Donowitz. You might know him better by his nickname: "The Bear Jew". Now, if you heard of Aldo the Apache, you gotta have heard of the Bear Jew.

    Sgt. Werner Rachtman: I've heard of the Bear Jew.

    Lt. Aldo Raine: What d'you hear?

    Sgt. Werner Rachtman: He beats German soldiers with a club.

    Lt. Aldo Raine: He bashes their brains in with a baseball bat is what he does. Now, Werner, I'm gonna ask you one last goddamn time, if you still respectfully refuse, I'm callin' the Bear Jew over. He's gonna take that big bat of his, and he's gonna beat your ass to death with it. Now, take your wiener schnitzel lickin' finger and point out on this map what I want to know.

    Sgt. Werner Rachtman: [after brief pause] Fuck you... and your Jew dogs!

    [the Basterds all laugh]

    Lt. Aldo Raine: Actually, Werner, we're all tickled to here you say that. Quite frankly, watchin' Donny beat Nazis to death is the closest we ever get to goin' to the movies. Donny!

    Sgt. Donny Donowitz: [from offscreen] Yeah?

    Lt. Aldo Raine: We got a German here who wants to die for his country! Oblige him!