The first time I watched Quentin's movie was in a boring late night in my freshman year. I was already a little sleepy, but I didn't want to waste the good time of the weekend in my dreams, so I went to Beiyouren to find movies to watch. In fact, I was especially fond of old movies It is very indifferent to an old movie that is regarded as a classic. I think the directors at that time were too serious and boring, but when I saw the cover of pulp fiction full of provocative and sexual innuendo, I couldn't help pressing it. Button to download torrents. After downloading it, I habitually pulled the video to a random point in time to play it. I wanted to check the subtitle audio track and clarity and went to bed. Unexpectedly, I became addicted after watching it in just a few minutes, so I simply pulled it to the beginning and took a breath. finish watching. Now that I think about it, I think it's a matter of course. If you're not addicted to it, you'll feel weird, because when you pull it to the place, it's the classic scene of Samuel L. Jackson and John Travolta going to kill. The two were killed several times but missed a shot. Jackson Thinking it was a miracle, he decided to wash his hands in a golden basin after reading the Bible to execute the informant. This movie also established my incomparable love for Quentin, even an unreasonable infatuation, because his movie is like that classic rabbit dance, as if he didn't say anything, and he didn't seem to plan to say it at all. What, but it will make me deeply fascinated and unable to extricate myself. It is like liking a person. Many times it is not because she has any definite advantages in her. Many times I can't say or know what I like about the other person. But what I do know is that every organ and even every pore in my body is telling me that I like her. I also named it meaningless meaningless on my own.
In fact, Quentin is not good at or disdain for grand and profound narratives. What he really likes and is good at is intensifying the dramatic conflict to the extreme in a small space, saving Mia from a drug addict in a pulp novel, a kidnapper in a breakfast shop, a restaurant The dance, the anti-kill in the basement to save the boss, etc., not to mention the Hateful Eight, the whole film can't wait to be finished when eight people are squeezed into one room. The two favorite scenes of this film are also two small confined spaces. One is the confrontation between the Jewish hunter and the farmer at the beginning. The hunter uses psychological tactics to make the farmer more and more nervous until he is in a mess or even completely collapsed. Germany Every line of a person's lines makes the person's heart tremble. The other is a confrontation in a tavern. Three fake German officers, a German female star female spy, and a Nazi Gestapo are fighting each other. The atmosphere is sometimes relaxed and sometimes tense, so that there is even an inexplicable comfort and peace when the shootout begins. Happily, it's really fun. I remember Hitchcock once said that famous time bomb theory, that if the bomb exploded at the beginning of the picture and a lot of people died, the audience would not be surprised, and there would be no feeling, oh, dead, if one person at the beginning Sitting leisurely at the table with a time bomb under the table, the audience's heart will be tense, thinking about the bomb all the time. Although I haven't seen Hitchcock much except for Psycho because of the age, but in my heart, the first person I thought of when I saw this bomb theory was Quentin, and I felt that he played this skill to the extreme, " I can't get in." It can be said that in the end, the audience was almost begging Quentin to end this mental torture and start the bloody killing.
I would also like to talk about two other parts in Quentin's film, one is the soundtrack and the other is the female character. The first is the soundtrack, the floor shooting at the beginning, the makeup on the face like Susannah Indians in the middle is ready for a big fight, the end of the film where Susanna and the German fighting hero die together, the bgm of the three scenes has a very strong Quentin-style color, It seems to be accusing violence, but it also seems to be praising the primitive, rough, but also full of tension, beauty that violence brings to people. The second is female characters. I always feel that Quentin's attitude towards women is very divided. On the one hand, he subconsciously thinks that women are just men's vassals or even playthings. On the other hand, he hopes that women can become independent individuals. Of course, this is not because He has a sense of equal rights between men and women, but because he thinks that independent women are more attractive to men, or to be more precise, more sexually attractive, which is very similar to Jiang Wen, which can be said to be very masculine. The two female characters in this film, Suzanne and the German actress, both thought that they could use their charm to play with men in their palms, but in the end they both died under the hands of men, and Quentin in the tavern even borrowed the Gestapo "Shut up, bitch" from his mouth. Mia and Bruce Willis' little girlfriend in Pulp Fiction, the villain and the original hostess in The Hateful Eight can all reflect this more or less. But honestly, I'm not really sure whether my understanding is correct, but what is certain is that the attitude of different directors towards women can be more or less reflected in the female characters in the works, which is worth pondering.
As for the cast, I have always felt that the real star of this film is not Brad Pitt but Christopher Waltz. Well I admit that I have always had some personal opinions about Pete, I admit that he works hard, and this can be seen from the accent, from the little wolf dog in the end of the flower to the fight club to the Inglourious Basterds, three accents and three images, But no matter how hard I try, I just think he always feels a little bit worse, no more or no less, just a little bit. If Xiao Lizi is trying too hard, then Pitt is like Andy Lau, and he lacks a little bit of the aura of an actor. Of course, he already has such a handsome face, so there's nothing wrong with aura. Speaking of Waltz, I feel that he is very suitable to play this kind of typical modern American image of insidious, cunning, scheming but very polite on the surface. Yes, I am talking about Americans. The first time I met him was in Polanski's short film Killing, where he gave an all-star performance with Jodie Foster and Kate Winslet, and it was so much fun to watch. The actors of the German fighting hero are also very interesting. They have played the role of Extreme Speed, Goodbye Lenin, and Baron Zemo. They can act in dramas, popcorn, biographical films, and commercial films, and it can be said that they are very versatile. Although Fa Shark died as soon as the mission came out because the pig teammates were too pitted, he still gave a very good performance in the tavern. I have to complain about the meeting place chosen by the female star. I originally chose this place because there are few Nazis, but I didn't expect that when I came in, I found that the whole room was full of Nazis.
I remember when I was watching the part, what Chen Danqing said about good works of art made a deep impression on me, that is, when I see really good works, all rational analysis is bullshit, because in the face of such works, the audience can only say , this tm is art. So in the end, I want to praise Quentin's movie with the words of the scotch whisky praised by the shark before his death in the tavern: "damn good stuff"! If you say why I didn't give it five stars, it can only be said that Pulp Fiction is so well done. Since Quentin's Pulp Fiction is five stars, this one can only be four stars, but whatever, damn good stuff!
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