As a layman who doesn't know how to appreciate real art, I don't see where it shines.

Nakia 2022-04-20 09:01:03

For those of you who recommended this movie, do you really think it's a good movie? ? Sincere? ? Or is it because it's a Quentin movie that doesn't show your unconventional [high] taste if you don't give it a full score? ? ? ?

Well, of course, maybe because I'm a layman, I can't really appreciate the subtlety of it.

The whole plot is clichéd to the extreme, and it simplifies a lot of what should have been a highlight. For example, the gesture of the British officer in the bar accidentally revealed his identity, so I began to wonder how the two sides could get out of it now? But obviously I'm not as high as Quentin. His old man didn't even bother to think about this issue at all, so he wiped out the audience like this~~ Then at the end, it made sense for Susannah to be killed, and then I started to wonder about this. How to continue the playback of the video? How should she and the black guy's plan be implemented? It turned out that the film had already been edited, and the fire and explosives arrived on schedule... It was really cool to watch the Nazis, including the Führer, being swept into a honeycomb, but shouldn't it make the whole plan aborted more interesting? Why can't the film not be re-cut and still need Suzanne's manual operation, why can't the explosives that have been set unexpectedly fail to explode? The quasi-heroes who intended to be history-making were silently disappeared, and the orthodox history continued - maybe such an ending deprived the audience of the right to revel, but I sincerely think that such a story will be better, also more meaningful. Next is Colonel Christoph Waltz. Waltz's acting skills are absolutely nothing to say. Even the weird movements of twisting and twisting on the chair don't feel inconsistent, but the problem is that the ending of this character is too bad. Don't have a brain? To actually completely trust that the enemy will give him all the honorable treatment he wants after using him? Even I knew that it would be easier and less troublesome to kill him than to help him. As a high-ranking officer who relies on his sharp mind and observation skills, would it be unexpected? This kind of plot arrangement is simply to insult people's IQ!

Then there's the question of style. Interspersed with black humor is of course welcome, but the black humor in this film is really incompatible with the overall pseudo-serious style, and it is deliberately abrupt and boring. Since the film is a fan story in a parallel world, why not just use humor and complain about the overall trend? The easiest way to modify it is to change the monotonous subtitle transitions between chapters to narration.

And makeup. Is that the jam under the cut scalp? You can get the effect that a makeup artist from a third-rate horror movie can do, but here it is. [laughs]

It's a scumbag mixed with all kinds of scum. It hurts to watch.

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Extended Reading

Inglourious Basterds quotes

  • Col. Hans Landa: What a tremendously hostile world that a rat must endure. Yet not only does he survive, he thrives. Because our little foe has an instinct for survival and preservation second to none... And that, Monsieur, is what a Jew shares with a rat.

  • Lt. Aldo Raine: [Drawing a map] Up the road apiece, there's an orchard. Now, besides you, we know there's another kraut patrol fuckin' around there somewhere. Now if that patrol were to have any crackshots, that orchard would be a goddamn sniper's delight. Now, if you ever want to eat a sauerkraut sandwich again, you gotta show me on this here map where they are, you gotta tell me how many there are, and you gotta tell me what kinda artillery they're carrying with 'em.

    Sgt. Werner Rachtman: You can't expect me to divulge information that would put German lives in danger.

    Lt. Aldo Raine: Well, now Werner, that's where you're wrong, because that's exactly what I expect. I need to know about Germans hiding in them trees, and you need to tell me, and you need to tell me right now. Now, just take that finger of yours and point out on this here map where this party's being held, how many's coming, and what they brought to play with.

    Sgt. Werner Rachtman: [puts his hand over his heart] I respectfully refuse, sir.

    Lt. Aldo Raine: [a smack is heard offscreen] Hear that?

    Sgt. Werner Rachtman: Yes.

    Lt. Aldo Raine: That's Sgt. Donny Donowitz. You might know him better by his nickname: "The Bear Jew". Now, if you heard of Aldo the Apache, you gotta have heard of the Bear Jew.

    Sgt. Werner Rachtman: I've heard of the Bear Jew.

    Lt. Aldo Raine: What d'you hear?

    Sgt. Werner Rachtman: He beats German soldiers with a club.

    Lt. Aldo Raine: He bashes their brains in with a baseball bat is what he does. Now, Werner, I'm gonna ask you one last goddamn time, if you still respectfully refuse, I'm callin' the Bear Jew over. He's gonna take that big bat of his, and he's gonna beat your ass to death with it. Now, take your wiener schnitzel lickin' finger and point out on this map what I want to know.

    Sgt. Werner Rachtman: [after brief pause] Fuck you... and your Jew dogs!

    [the Basterds all laugh]

    Lt. Aldo Raine: Actually, Werner, we're all tickled to here you say that. Quite frankly, watchin' Donny beat Nazis to death is the closest we ever get to goin' to the movies. Donny!

    Sgt. Donny Donowitz: [from offscreen] Yeah?

    Lt. Aldo Raine: We got a German here who wants to die for his country! Oblige him!