After watching this film, it becomes clearer what is called violent aesthetics. Inglourious Basterds, still the same Quentin style as always - violent, but beautifully violent, without a lot of naked blood. It's beautiful when the bullet hits and the blood bursts out, mixed with sunlight and smoke. In addition, the soundtrack of this movie is also very clever, it does not deliberately create tension in many movies, but when it is tense, it gives some monophonic, like the bass voice. I feel that the popular science about film inserted in the middle is a bit cute. I feel that the plot of Quentin's film is too conflicted and exciting, making people feel nervous. The acting skills of the actors in the film are all very good, especially the Zhongwei who looks like Malfoy. I think it's amazing to act well, but it's even more amazing if you can show the audience that you are acting. For example, when the heroine sees Zhongwei in the restaurant, you can see that he is very nervous, but she is still playing Deliberately concealing one's nervousness is called acting within acting! It's so fucking powerful, I'm embarrassed to say a dirty word? It's not about World War II, it's about a bunch of liars who lie to each other and who wins in the end. At the beginning of the film, the tone of the whole film was established: a Frenchman lied to Zhongwei very calmly, smoking and drinking milk. But unfortunately, he met someone more powerful than him: Zhongwei saw through his tricks and killed the Jews.
PS In the end, I finally felt relieved when the theater was blown up, because Quentin, a director with no routines, made me completely unable to guess what would happen next?
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