It seems inappropriate to say that Batman is a superhero, and Nolan has no such desire to convey such an impression to the audience. The important thing in the mystery is to express such a concept, why Bruce Wayne will become Batman, Why bat.
From the point of view of film shooting techniques, Nolan prefers to intersperse narrative expressions, and finally converges into a single line. This kind of storytelling technique is difficult for audiences who are just starting to watch it, but it does not affect the first viewing. It will make a good evaluation of it, so this is why the public calls Nolan the God of Nolan. He is such a special director. He can tell a story so deeply in a commercial blockbuster, and he can also make a hero self-salvation and the road to transform human nature so exciting, so simple and beautiful.
It's hard to believe that someone could make such a superhero movie in 2005, so that even in 2021, when superheroes are rampant, it's still shocking, still thought-provoking, and still beneficial. From this, we can see that the so-called classics are by no means handed down by word of mouth between people, and then placed on the wall to be viewed on the wall. The so-called classic is that you even feel that every frame is art, every line is very elegant, and every dialogue conveys a value. This value is to say that the hero is not born like this, the hero was so ordinary and even mediocre, he was so helpless, lonely and angry, so weak, pitiful and pathetic.
The part about cultivation in the snowy mountains has a strong sense of ancient Chinese traditional culture. A rich second generation fell from the cloud to the abyss, and Wayne's road to self-redemption was accompanied by more than tempering his temperament. Nolan wants to convey a very simple truth, suffer his will, starve his bones and bones, freeze his body and skin, and then persevere in his heart to increase his abilities. Money can solve many problems, but it cannot make a rich second generation a hero. This passage perfectly illustrates how far we have to go on the road to becoming a hero.
The scene about Wayne blowing up the Shadow Warrior Alliance is worth pondering. Judging from the number of barrages, Wayne's approach may have even been criticized and despised by more Chinese audiences. Because from the cultural point of view of China (or Japan), the masters of Tiandijun and Wayne learned the craftsmanship from the ninja master, it can be said that the movements in the Gotham missions later are the shadows of the Shadow Warrior Alliance, but this buddy's front foot After learning one's skills, he took over the teacher's nest with his back foot. This is a bit suspected of deserting the teacher in China. However, if such a person appears in the pen of Mr. Jin Yong, there will be no good death. From this, it can still be seen that there are still some differences between Eastern and Western cultures, or Nolan seems to be showing the complexity of Batman. It's one thing for me to learn my skills, my mind, and conquer fear from you. But you let me destroy my own city, I can't do it, let alone my family's property. Here Batman or Wayne's duplicity (note that it's not duplicitous) is absolutely outstanding. One body, two identities, different ways of doing things, but for the same purpose, the same soul. This is more apparent later in Wayne's return to Gotham. It fully embodies the complex side of Wayne's personality, but also the brilliance of humanity. Even if Gotham is shrouded in darkness, its folk customs are simple, and its talents are born in large numbers, it should be saved rather than destroyed. From then on, the ninja master went to a decisive break. There are both personal grievances and social justice here. The merits and demerits of it, its own audience commented.
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