Reverse perspective suspense, defocused murderer

Beau 2022-04-19 09:01:14

1⃣️It is too verbose and the narrative is not restrained.

2⃣️The narrative line is chaotic, and the three lines of Rob, Paul, and the police are mixed.

3⃣️The suspect explained the beginning and end, especially the clues of the cinema projectionist. (When the whole film was the most nervous, when I thought that Rob was going to be silenced in the basement, there was no follow-up?)

There is a strong sense of powerlessness, like the three protagonists, always in circles. Handwriting, handwriting, handwriting, I keep mentioning this to satirize the police. Just entangled in this so-called "key evidence", naturally there is no excitement that ordinary crime films should have.

4⃣️A suspense film with a reverse perspective, a murderer with a defocused focus. The powerlessness is good, but it's really depressing.

5⃣️It is not very clever to explain the ending of the three protagonists with subtitles, you can shoot it.

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Extended Reading

Zodiac quotes

  • Melvin Belli: Inspector Toschi.

    [holds up bloodied shirt piece]

    Melvin Belli: It is my belief that this is a window into this man's soul. Killing is his compulsion. Even though he tries to ignore it, it drives him. It's in his blood.

    Dave Toschi: Maybe. Or maybe he just likes the attention.

  • [Graysmith visits with Ken Narlow in Napa]

    Robert Graysmith: Does the name Rick Marshall mean anything to you?

    Ken Narlow: [it does] What are you after?

    Robert Graysmith: What have you got?

    Ken Narlow: Hypothetically, you just named my favorite suspect in the whole case. This is off the record. Couple of years back, I was trying to get Marshall's prints. I handed him a photo. He looks at it. He's about to give it back and he says, "My goodness, I got fingerprints all over this." And he wipes them off.

    Robert Graysmith: Why didn't you test him for handwriting?

    Ken Narlow: Because when they finally did run his prints... they cleared him against the one in Stine's cab.

    Robert Graysmith: So it's not him?

    Ken Narlow: Maybe yes, maybe no.

    Robert Graysmith: No? What do you mean?

    Ken Narlow: Zodiac left gloves behind at the scene. If he had the foresight to bring gloves with him, how the hell's he gonna accidentally leave a print behind?

    Robert Graysmith: But it was in the victim's blood.

    Ken Narlow: Could have been one of the bystanders, or a cop just reaches out... Boom. False print.

    Robert Graysmith: But that print disqualified 2,500 suspects.

    Ken Narlow: Which is why we used handwriting.

    Robert Graysmith: But not for Rick Marshall.

    Ken Narlow: S.F.P.D. saw a handwritten sign in the window of his house, decided it looked nothing like the Z letters, so they moved on.

    Robert Graysmith: How do they know Rick Marshall wrote the sign?

    Ken Narlow: [smiles] My thoughts exactly. Rick Marshall was a Navy man. He received code training. He was also a projectionist at a silent film theater.

    Robert Graysmith: How do I get a copy of Rick Marshall's handwriting?

    Ken Narlow: Three ways. One, get a warrant; which you can't. Two, get him to volunteer; which he won't.

    Robert Graysmith: Yeah, and three?

    Ken Narlow: Get creative.