The types of tragedy can be divided into the "tragedy of fate" of ancient Greek drama, the "tragedy of character" of Shakespeare's plays, and the "tragedy of society" of Ibsen.
Joe's tragedy stems from social tragedy, and at the same time, he suffers the trick of fate. As a blade runner, he must bury his emotions deeply, hunt down and kill his kind, and at the same time, he is looked down upon by humans. When humans see him injured, they will only sneer: "What's the matter?" You beautiful tin warrior? " "I'm going to break your leg, you bastard!" They even wrote "FUCK OFF SKINNER on his door." Such offensive words. He could only endure the situation silently and remain indifferent.
The only warmth in his life is the virtual projection of his girlfriend, Joie. The only room she is in is clean and warm. She cares about his meeting, changes her attire to suit his liking, and simulates virtual food to adorn his dining table. He also deeply wished to have an entity that could touch him.
Those who originally had a "quiet" life were forced to be involved in the revolution of the big man, and he gradually accepted from the panic and anger that he had just learned that "he may be a replicator raised by a replicator". However, he was just a pawn, a pretense for "protecting the goddess of true destiny."
In the process of fleeing, he lost his beloved. He was hurt all over and sat there in pain with red eyes. He finally killed the enemy and saved the so-called "big man", lying in the white snow with nothing.
He met the virtual projection of the sensual place on the bridge, and she flirted with him frivolously: "You've been busy this day." You look lonely, and I can fill your emptiness. "
No, you can not. No one can.
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