How can this film be called "Troy: Trojan Horse Massacre"? It should be called "Troy: The Growth of a Man".
Of course, this man is the Paris that everyone despised.
Maybe it's the problem of OB's lack of acting skills, or it may be his too delicate and beautiful face, his Paris gives people the feeling Like a young child, whether it was to snatch Helen or escape the enemy and escape to my brother's feet, it was hard for me to feel disgusted with him. Instead, it was the look in his eyes that made people feel unbearable to blame him, as if he was still A child who can forgive all mistakes.
You look at him in shock and fear, you can't think of cowardice, you only think that this is a poor child who
robbed someone else's wife and fled from the battlefield cowardly, child, child, but
this child still said something that could change history: "I think it should be burned." He thought it was the mysterious Trojan horse that should be burned. If it had been burned at the beginning, Paris would have been admired instead of being cast aside by everyone. Anything like robbing his wife and running away could be used as a tidbit of news for a wise man.
Look, a child is wise now.
Look again. When everyone dances and cheers around the silly wooden horse, only Paris is sad: "You look at them as if they didn't lose their prince." As a Trojan, everyone admires The great hero, Hector died 12 days ago, everyone cheered around the Trojan horse, and Paris, as his younger brother, although timid, will not forget the brotherhood, his brother only died 12 days, even if Helen is in Beside, even if he becomes the heir to the throne, little Paris still thinks that he can protect his brother.
Look, a child turns out to be so affectionate.
In the end, the Greeks slaughtered the city, and the timid Paris could "escape with Helen" as he originally said, but he didn't. He not only picked up the bow and arrow, but also led everyone to evacuate from the secret passage with his sister-in-law. More importantly, Helen, the all-powerful lover, begged him to leave, but he didn't. What he said was, "My father will not leave here. , I can't go", look, how filial the child is.
Again, he gave the sword of Troy to a young man, and instructed "you take them away. As long as the sword of Troy is there, there is hope for Troy", and then resolutely kissed Helen goodbye and went to save Briseis.
From running away in a hurry when fighting alone, to resolutely staying behind to save people when the whole city was slaughtered, how dare you say that this man has not grown up?
Hmm... The more I watch, the more it looks like Paris's growth history
. To be honest, this film can be called a highlight, which is the following points:
1. Peter O'Toole is worthy of being an old actor. He was impressed by him the first time I watched it. His eyes were deeply moved, whether it was a plea to Achilles, or the despair and shock of watching the fire slaughtering the city on the city wall, that look was so full of emotion, it just killed people~~~~~ ~
2. Hector of Barna is the real hero. Not to mention, everyone can see that this Hector is more heroic than that Achilles
, and then when I watch it for the third time, I think it can be regarded as attractive:
1. Helen is not beautiful at first glance. , but it is beautiful when you look at it. Kruger's style is far from enough to make the country allure at a glance, and she is willing to let thousands of warriors fight for her, but she does reveal a classic and exquisite beauty (although I have always been unkind to think that Paris is the first in the whole film. Beauty), coupled with the innocence and purity in the blue eyes, it is indeed very moving. (Although I think it will be more beautiful if OB wears blue stealth again, he should be allowed to cross the line...)
2. The single battle between Achilles and Hector is the focus, but it always feels too short and not exciting enough. Achilles' moves are steady, accurate, and ruthless, with fast speed, strong aura, and crisp attacks, without giving the opponent any chance to breathe. Even Hector's power disparity can be seen at a glance. Pete doesn't know how long he's been practicing for this, but he's doing it pretty well, no doubt, the whole set, the complete Greek aesthetic.
There is another point that is a nympho YY:
In the end, when the delicate child Paris picked up the bow and arrow, the countless pollen were probably as excited as I was: the lovely-looking archer back then! Whenever OB and the bow and arrow are together, they always feel strangely that Legolas will be possessed by the soul, which is the sequelae of The Lord of the Rings. Therefore, when we saw Paris shooting people with arrows, all we thought was that the archer who pierced Yang with a hundred steps was back! One move, one expression, that action, Legolas is like a child~ Sure enough, it lived up to the reputation of the marksman, and the arrow that finally hit Achilles' fatal ankle, precisely from the hands of our archers Shoot out, impartially.
At this point, Legolas borrowed Paris to come back to life on the screen.
In the end, Paris faced the life and death of the two little lovers, and the regret and pity in his eyes did not rush to urge others to separate, which perfectly proves that Paris is a man who has been in love.
As a result, a man who understood the love between children, brotherhood, filial piety and loyalty to his father, and in the end, a man who knew how to stick to his country was born. A man more affectionate than Achilles, a man more lovable than Hector, is portrayed ruthlessly.
Now I'm starting to wonder if Wolfgang has a soft spot for Orlando, or He was teleported by Orlando's Legolas.
View more about Troy reviews
