The peak of JJ's career! (In contrast to his "Star Wars 9", I haven't dared to open it yet.) The knot and release of suspense elements are very exciting. The mysteries that everyone who crashed on the desert island need to face are: understanding the people around them (killers, criminals, The cat-and-mouse game of traitors), how to survive on the island (the thrill of survival in the wilderness), how to escape from the island (various attempts and frustrations), how to explain the paranormal on the island (high concept elements). Then the screenwriter begins, each episode reveals a character's history (understanding the people around you) + task history is connected in series to promote the development of the plot (wilderness survival, desert island escape) + interspersed with the presentation and decryption of supernatural phenomena. From the perspective of the kano model, telling the audience about the past and present life of the characters in each play, and the character settings satisfy the basic needs of the audience (it can't be without, we are not familiar with the common feelings of the protagonist of a play); through the character design + The event promotes the development of the plot of survival in the wilderness and escape, and completes the character arc, which meets the expectations of the audience (character arc, survival in the wilderness, the more such things are given to the audience, the better); interspersed with supernatural phenomena to meet the audience's excited needs (plot Halfway through, wc suddenly popped out a black wind old demon, Emma, this is too exciting. But if you give too much, the audience will expect an explanation or conclusion, and excitement needs become basic needs. This is The reason why the word of mouth of "Lost" fell in later seasons). btw I saw the second season of the abandoned drama before, and now I am chasing the fourth season, really fragrant hh
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