In a biographical movie, the biggest capital is the life of this character. So, rather than saying that I don't like this movie, it's better to say that I don't like this French Chanson queen. If you say this, many people may smash bricks. But the French national treasure that I saw in the movie was an overbearing, arrogant, and willful image, and even her appearance was not pretty: her hips hunched over and her hairline moved backward. The most beautiful thing in the whole movie is the description of her face and the blue dress when she fell in love with boxer Marseille. But before and after that, from the twenties to the forties, there was a whole little old woman. Before she became famous, the songs she sang had nothing to do with elegance. Rather, it was a cliché tune. It felt like Wei Xiaobao sang "Eighteen Touches". After she became famous, of course there were celebrities who composed music for her, but some of the songs she chose by herself still couldn't escape the routine of fireworks. Her life seems to be inseparable from alcohol and drugs. To say that she took painkillers because of the plane crash of her lover Marseille, but before that, it seemed that cocaine had existed in her life. And wine is even more indispensable. As for her love history, Yi Luo Luo, including two for her acting career, one is the nightclub owner who found her beautiful voice on the street, and the other is to give her a special training to sing her life. A musician who has been promoted from a low-level nightclub to an elegant concert hall. Even so, it's just one death and one dismissal. Among the countless clutches, her favorite is the boxer Marseille, but this is also a love affair that cannot be seen because he already has a family.
Undoubtedly, there are people like me who don't like her, but there are also many people who like her. In the eyes of other people, such a personality is brilliant and attractive. And her singing voice, even when she sings a vulgar minor, is nice and full of air. The power exploded from her petite body was completely present in her shout. This is her weapon, her talent, her ability to be proud of all her life. The "Life of the Rose", which has been sung for a long time, is also really beautiful. Otherwise, everything else, in my opinion, can't make her successful.
For the moment, all we can understand about this French symbol is just such a movie. It just so happens that this movie is too montage. For people like me who are not familiar with her, it is basically not helpful for understanding her life. As for other information, not much has been circulated on the Internet. Instead, I found an introduction to her on the eMule that I wrote before this movie, which can also reflect her life from one side.
Perhaps, in the life of the French, abusive affection is equal to romance, alcoholism is equal to adjustment, and Piaf’s character defect is only described as "unique personality", but it highlights the ups and downs of her life's destiny and brings out a sadness. Life. It seems that it is still difficult to reconcile different cultures. Judging from the above, I really can't find a French factor in me. I love the French at that level, I'm afraid I can't do it. So, please forgive me for the above remarks that have a feeling of being too defensive. Perhaps, if Piaf was replaced by Anita Mui, my sense of identity would be a little bit more.
As for the movie, oh, this lovely French movie is really not watched by someone like me who has no artistic cells. Although the director has reminded the time and place where flashbacks are inserted everywhere, I still look dizzy and can't figure out the chronological sequence of the various events and the connection between them. The character, because Piaf was too strong, all the other supporting roles, miscellaneous, and runners all flashed past, and the name and face disappeared before they were clearly remembered. The protagonist Marion Cotillard’s acting skills are indeed good, because it can make the audience have such a strong feeling for a character, even if it is a feeling of dislike, it also shows that her performance to this character is appropriate. ,articulated. It is said that after seeing Marion’s performance, Piaf’s close friend couldn’t help but sigh: "Oh my God...". Otherwise, how can the Oscar queen get it for no reason? But I still like her presumptuous girl in "Two Little No Guess" the most.
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