I'd say it's a bad movie, but that's not too much.

Kenyatta 2022-04-21 09:01:10

Maybe I have seen "Master Key", the quality of this film is greatly reduced.

The master key lies in the foreshadowing from all to the end. A lot of details are buried in the plain plot, and it is shocking at the end. The second time watching the movie also maintained the high quality, many details of the first time watching, in the process of watching the second time, suddenly realized.

And this fateful town is a little boring. In the process of inviting all the guests to come, the secret has almost been revealed. The male protagonist went upstairs, and the people downstairs listened to the upstairs without moving, and almost told you the whole intention of the movie.

set up.

The master key is to explore superstitious superstitious, believe it, and don't believe it. The unknown (imagination) belonging to ultramodern science. And the whole process of the heroine's psychological changes also revolves around this matter. As an audience, the more you take the role of the heroine, the more you can experience this wave of excitement. In the end, the personalities are exchanged, and the exchanged two people leave no trace and still belong to the supernatural category.

And Death Town, hey. Pure fantasy and hunting, white people hunting black people. But what's interesting is that so many black people have had an accident and disappeared, and the police didn't do anything? And personality exchange is stupid enough, surgery to change the head, medical technology against the sky? In short, these settings are too common, because they are all based on real medical and psychological science, so it is difficult to justify them (after all, as long as these technologies are scientific, it is equivalent to everyone's knowledge.)

In Desperate Town, the portrayal of the heroine is also extremely inadequate.

The female protagonist is a hunter, and maybe she hates black people in essence. But kissing, having sex with black people, back and forth. I understand that the heroine is a professional hunter. But generally speaking, these two extremely contradictory identities should go further in the shaping of the heroine: such as private disgust, disgust and other psychological activities after kissing to strengthen her role as an individual, her own experience. But none of these. So we saw that there was a docile girlfriend in the front, and a blank-faced robot in the back, and there was no connection between them.

Just a little more detail on this. The black gardener at home is the black boyfriend tricked by the heroine, and is now replaced by the heroine's grandfather; that is to say, the heroine kissed this black man and went to bed, and then this body became her grandfather, do you feel uncomfortable? ?

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Extended Reading

Get Out quotes

  • Chris Washington: I got hypnotized last night.

    Rod Williams: Nigga, get the fuck outta here!

    Chris Washington: No. Yo, yo, yeah it's to quit smoking. But Rose's mom's a psychiatrist, so...

    Rod Williams: Bro, I don't care if the bitch is Iyanla Vanzant, okay? She can't fix my motherfuckin' life. You ain't getting in my head.

    Chris Washington: I know, she caught me off guard, right? But it's cool because... I'm cured. It worked!

    Rod Williams: Bro, how you not scared of this, man? Look they could have made you do all types of stupid shit. They have you fuckin' barking like a dog. Flyin' around like you a fuckin' pigeon, lookin' ridiculous. Okay? Or, I don't know if you know this. But, white people love making people sex slaves and shit.

    Chris Washington: Yeah, I'm pretty sure they are not a kinky sex family, dawg.

    Rod Williams: Look, Jeffrey Dahmer was eatin' the shit out of niggas' heads. Okay? But that was after he fucked the heads. Do you think they saw that shit comin'? Hell no! Okay? They were coming over there like "I'm just gonna suck a little dick, maybe jiggle some balls or shit." No! They didn't get a chance to jiggle shit because their head was off their fuckin' body! Yeah, they still sucked the dick, but without their heads. It was fuckin' weird detached heads shit. You know, that's Jeffrey Dahmer's business.

    Chris Washington: Thanks for that image right there, man.

    Rod Williams: Hey man, I ain't makin' this shit up. I saw it on A&E. That is real life.

    Chris Washington: Yo, and the black people out here too. It's like all of them missed the movement.

    Rod Williams: It's because they probably hypnotized. Look bro, all I'm doin' is connectin' the dots. I'm takin' what you presented to me, okay? I'm gonna tell you this, I think that mom is puttin' everybody in a trance and she's fuckin' the shit out of 'em.

  • Chris Washington: Do they know I'm - Do they know I'm black?

    Rose Armitage: No. Should they?

    Chris Washington: It seems like something you might want to, you know, mention.

    Rose Armitage: Mom and Dad, my black boyfriend will be coming up this weekend and I just don't want you to be shocked that he's a black man - a black.

    Chris Washington: So, I was the first black guy you ever dated.

    Rose Armitage: Yeah, so what?

    Chris Washington: Yeah, so this is uncharted territory for them. You know, I don't want to get chased off the lawn with a shotgun.

    Rose Armitage: You're not going to. First of all, my Dad would have voted for Obama a third time if he could've. Like, the love is so real.