The setting is interesting. Did dungeons and robots coexist in the end? What about those who make batteries? One setting that I didn't expect is that the program can have offspring. Then the thought of destroying it seems like it can't be used for this. The poor anthropomorphism begins to have compassion after crossing the uncanny valley effect. In the case of limited resources, interspecies war is bound to be life-and-death. I don't know if there is a follow-up behind The Matrix. But the director sisters don't seem to have the idea of continuing a wave. Secretly poking and complaining, relying on cheating kisses to find the keymaker is so embarrassing that a toe can be pulled out of a Rome. Then there is another very interesting point. From the perspective of race, the main characters in the whole article are only white and black. The Asian setting is slightly suppressed. The appearance of the keymaker and the white coat for martial arts has surprised me a little. Forgive my clumsiness, I didn't see any Indians. Going back to the discussion of the setting of the film, I initially thought it was just a philosophical proposition of a brain in a vat. Later, it began to involve fate, inevitability and destiny, and my interest gradually declined. The smile fades away.jpg. It was originally thought to be a collision between Western monotheism and Pan-Eastern classical philosophy.
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