I have always taken the heavy taste route in the past, and liked the Resident Evil series and the Death God series. When I clicked on this film, I watched it as another zombie film full of gunfights, drag racing, serums, conspiracies, and blood and blood. Unexpectedly, there are only four leading actors. A tough guy who has traveled halfway across the United States for a layer cake, a nerdy otaku, two smart, sexy and cunning sisters, each character is full and full, making people love it and hate it.
You can feel the director's thoughts under the shaping of the four characters. In 90 minutes, the four protagonists, without complicated background relationships, without messy love-hate entanglements, sat in a car against zombies all over the world. The plot seems simple, but several reversals are enough to make the whole film three-dimensional and full, making people applaud. The simple plot and simple character design leave enough space for the director to shape the characters. The details are magnified, the advantages and disadvantages are expanded, and everyone is bright and cute as a big doll in the window, making people irresistible to take them home. Slowly ravaged. But the protagonists don't have names, they call each other "the place of origin", Columbus, Tallahassee, Wichita, Little Rock, (think about four people named Beijing, Changsha, Baotou, and Chongqing who bravely go to the end of the world to fight zombies, this film is funny This can be seen by the degree), which makes the characters lose their very important symbols, maybe because the director has doomsday feelings, all human labels will no longer exist, and the pure code name of the name will lose its meaning, or maybe the director Intentionally blurring the characters in this aspect, and adding regional symbols to magnify the four too small people in the apocalypse world, I believe that the characters' distinct personalities and the obvious local characteristics have also achieved a more prominent character and left the audience. More impressive purpose.
The laughs are hard to resist. I have criticized the vulgar jokes of the old and the United States before, of course, it is compared with the restrained and mellow British humor, but the amusing power of the American imperial people is also globally recognized. This is really not a zombie movie, it's a pure and fresh little literary comedy, otherwise it would be impossible for Eisenberg, the crackling slut, to act in his true colors. The quality of the production is reflected in the natural 3D subtitles. When the letters "Cardio" stretched out their arms and legs together with the protagonist, I was really poked and laughed, it was so cute. The special effects are great, so the visuals are definitely not lost.
The soundtrack is equally impressive. I deeply realized the status of the soundtrack. I used to say nonsense like "a good movie will be discounted in half without the soundtrack", which is shameful. A movie is over without a good soundtrack, even if the chicken breast is boiled in soup without salt. The soundtrack is part of the movie, at least 12 grams of the soul. In the first part of Zombie Kill, various lore soundtracks, refreshing, climax and bleak heroic atmosphere came out, with Harrison's decisive eyes, handsome double guns, snakeskin jacket and cowboy hat, loaded and loaded The slow motion of gunshots and headshots inevitably draws on the heroic plot of old beauty admiring foreigners and helpless, but a piece of bleak western music is still just right, buckles the rhythm, and adds a lot of color.
The handling of small details casts doubt on the sexuality of the director and screenwriter. There are several details that are not foreshadowing buried in the front. The reason why it is not foreshadowing is that it has no effect on the progress of the plot, but when the last brain is poured out, it is simply amazing. The characters are so cute that they jump out of the screen.
The corners were chosen too well, I don't know who else besides the curly hair can hold this kind of incompetent, cute and invincible otaku character. And the story unfolds from his point of view. His fast-paced voiceovers are surprisingly good enough to have no friends. Add all kinds of small actions and small details, in short, it is cute, and it is helpless to be cute.
All in all, 90 minutes, a zombie lore that crosses the North American continent, the plot twists and turns unexpectedly, the rhythm is tense and lively, it belongs to the comedy that starts half a minute into the play and starts the exciting whole process without pee hahahahahahaha , but with the doomsday atmosphere and a little weird and absurd color, it stands out among thousands of comedies. Want an unforgettable Children's Day? Z-Land, the conscience of the industry, is not to be missed.
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