No greed, no hatred

Telly 2022-04-21 09:01:02

Casablanca
threw away the storytelling and the composition of the film, and only talked about the theme - the sad and helpless sense of fate is the classic source of this film, this is a black, love movie.
Maybe it's because of the recent breakup, I'm very sensitive to many topics about love, and there are always some long-winded, like endless things to say. Maybe that day, that person didn't finish listening to what I wanted to say, so he wanted to go out without forgetting.
I am a person who is obsessed with love itself, not someone who is obsessed with a certain person, but I don’t like to have more routines in love, because I am inherently stupid, and I tend to be submissive in love. Every time I give The illusion of a sad female No. 2. But it is not. After some time, a certain relationship gradually becomes the butter bread in memory. When you are hungry, it is delicious, and when you are full, it is boring.
What frustrates me the most is not the emotional hurt between men and women, but the times.
Only in times of frustration, such a fragile heart and such a fragile relationship.
Are we going to talk about casablanca today?
Many people say that Casablanca is the Chinese version of "In the Mood for Love", "New Dragon Inn", etc.
When I typed this text, I was in a cafe where I bumped into a boy I liked and found a new love. He has already had countless girls here, and he didn't dare to come and play because he didn't want to see him.
There are so many towns in the world, there are so many pubs in the town, but she just walked into mine -
the coincidence of "Casablanca" may be the inevitable necessity of all synthesis, of course, I prefer to say that it is the arrangement of fate, in the movie The male protagonist is the owner of a tavern. He travels through the flowers, sometimes indifferent and sometimes showing his true temperament. After meeting the female protagonist, he is even more stupid. The heroine is a beautiful woman who does not need routines to attract men. A man with Cheng Bi's eyes that washes his eyes will fall.
In the urging of the horn of World War II, time hastened the pace of their encounter.
Many people we see in this world are not what they are. Many people's world depends on the support of desire to survive. If a person has no desire, either he has become a perfection, or he has a soul who wants to die.
Therefore, the face that we show in our lives is one of the tools used to satisfy our desires. The pretentious character of the hero is not uncommon in postmodern life. A man is an animal who thinks with his lower body. They need love, they need sex.
The need for a sense of security
needs to be affirmed, and this desire to be affirmed is embodied in the term social status under the development of capitalism.
Looking back at casablunca, the handsome and ruffian male protagonist could not find normal satisfaction in the context of the war, so he just wanted to seek a gentle township, love and this kind of thing, at the beginning, it was just a match, who would invest first Who is admitting defeat.
No one has ever seen the true face of love. In the lonely and cold years, love is a romance, sex.
It's a pity that the heroine is also a woman who is determined to break up. No matter how perfect her character settings are, it can't stop the fact that she finally used her beauty in exchange for a pass. go in sight.
I don't think the male protagonist loves the female protagonist, and I don't think the female protagonist loves the male protagonist, maybe he likes it, this is true. The longer you live, the more you realize that it is extremely luxurious and romantic to have the predestined relationship to like someone. Love, in a normal age, is a long stream. It is the fragrance baked by slow fire. Love is exciting and fresh, and it is also a delicate true feeling. It is a pity that fewer and fewer people have the opportunity to feel this kind of eternal thing.
I don't want to compare love to gorgeous fireworks, I would rather compare love to white rice porridge.
The male protagonist is also a person who is infatuated with love itself. There are many people who are invested and moved in love. Many of them are moving themselves, and they are also addicted to it, because this kind of person feels that when they give, what they get is true. .
Isn't love like this, you are good to me, I am good to you, you have sugar and I have pumpkin. You give me two candies, and I'll give you all my pumpkins.
We do not love a person, do not get a person, but we have to have the ability to love.
In the story, I don't know who surrendered first and who was hurt the most, maybe both. But fate is, this is an impossible. The more you struggle, the deeper you sink, you go your way, I go mine, you can forget each other, you can also remember me or us.
It is impossible to be greedy, and neither can love or hatred
. On a certain early autumn morning, on a hill full of pear blossoms, you and I gather flowers to make wine, and sing poetry under the trees. In the evening, you are soundly asleep, and I am quietly washing The sweater I just knitted for you yesterday.
Impossible, you see, the war just broke out in the north, the poor on the street are begging for food, passers-by are hurrying, bowing their heads, as if picking up the dollars left on the street.
We are so grateful to the person who passed by in our life, the person who hurt us, and willing to dedicate myself to him, to enjoy half of the love
We are so helpless In this best and worst time, I can still see birds in the blue sky, misty mornings , I can also see people who are struggling or swimming
in the boundless void of survival and desire. I am willing to suppress all my love and hate, and I am willing to turn my liking into an understanding of all things.
It's just that I don't want to be one of the people in this era who is incapable of love.

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Extended Reading

Casablanca quotes

  • Ilsa: Rick, I have to talk to you.

    Rick: [Rick is drunk] Uh-huh. I saved my first drink to have with you. Here.

    [passes her a drink]

    Ilsa: No. No, Rick, not tonight.

    Rick: *Especially* tonight.

    Ilsa: Please...

    [he pours a drink]

    Rick: Why did you have to come to Casablanca? There are other places.

    Ilsa: I wouldn't have come if I'd known that you were here. Believe me Rick, it's true I didn't know...

    Rick: It's funny about your voice, how it hasn't changed. I can still hear it. "Richard, dear, I'll go with you anyplace. We'll get on a train together and never stop - "

    Ilsa: Don't, Rick! I can understand how you feel.

    Rick: [scoffs] You understand how I feel. How long was it we had, honey?

    Ilsa: [on the verge of tears] I didn't count the days.

    Rick: Well, I did. Every one of 'em. Mostly I remember the last one. The wow finish. A guy standing on a station platform in the rain with a comical look in his face because his insides have been kicked out.

    Ilsa: Can I tell you a story, Rick?

    Rick: Has it got a wow finish?

    Ilsa: I don't know the finish yet.

    Rick: Well, go on. Tell it - maybe one will come to you as you go along.

    Ilsa: It's about a girl who had just come to Paris from her home in Oslo. At the house of some friends, she met a man about whom she'd heard her whole life. A very great and courageous man. He opened up for her a whole beautiful world full of knowledge and thoughts and ideals. Everything she knew or ever became was because of him. And she looked up to him and worshiped him... with a feeling she supposed was love.

    Rick: [bitterly] Yes, it's very pretty. I heard a story once - as a matter of fact, I've heard a lot of stories in my time. They went along with the sound of a tinny piano playing in the parlor downstairs. "Mister, I met a man once when I was a kid," it always began.

    [laughs]

    Rick: Well, I guess neither one of our stories is very funny. Tell me, who was it you left me for? Was it Lazlo, or were there others in between or... aren't you the kind that tells?

    [Ilsa tearfully and silently leaves. Rick's face falls in his hands sadly, knowing that he's said all the wrong things]

  • Captain Renault: [to Ilsa] I was informed that you were the most beautiful woman ever to visit Casablanca. That was a *gross* understatement.

    Ilsa: [genuinely pleased] You're very kind.