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swaying ideology
Earl 2022-04-20 09:01:01
The classics among the classics, the reasons for the classics are ideology and narrative... This film is praised as a masterpiece of love, but it is actually very nonsense, because the love in the whole movie is just a clue, a long flashback narrative, and the heroine is confusing , so that you can't judge that the man she loves, or she loves, or neither, but love is secondary anyway... In that era, the patriotic and humanistic plot of the movie itself became anti-fa Sisi's declaration, the movie has also infected a group of aspiring young people... However, today, this movie has been deeply branded with the American brand behind Hollywood, and the utopia where everyone wants to run is just like now everyone wants to immigrate. The place is the United States. The United States does not have a single scene in the film, but people regard it as a holy land of hope, security, democracy, and freedom. This ideological indoctrination affects every audience subtly. The best embodiment of Lanxi's theory of hegemony, it is silent, and the ideological indoctrination in the United States is actually taken in the form of anti-fascist anti-authoritarianism. Therefore, it is extremely clever and a classic stroke of magic... In addition, racial discrimination has also been experienced. In the present, black people can only be the servants of the male protagonist, but allegiance is like finance. This design adheres to the consistent tradition of Hollywood, and the protagonist is designed as a New York student. This label dilutes the image of the protagonist's struggle in France. The combination of the two is higher than There are all kinds of people around, so in addition to the praise of the United States, the description of American nationality and the superiority of white people is exactly the same as that of the fascists, so from today's perspective, the cultural research value of this film is much higher than its value. Artistic stereotyped style...
Extended Reading
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[denying an official of the German National Bank entrance to the casino]
Rick: Your cash is good at the bar.
Banker: What? Do you know who I am?
Rick: I do. You're lucky the *bar's* open to you.
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Woman: What makes saloonkeepers so snobbish?
Banker: Perhaps if you told him I ran the second largest banking house in Amsterdam.
Carl: Second largest? That wouldn't impress Rick. The leading banker in Amsterdam is now the pastry chef in our kitchen.
Banker: We have something to look forward to.