(By the way, there is a song with the same name, my dad likes it very much, I don’t know if it has anything to do with the movie)
When people mention "Casablanca", they always say Rick's line: "Of all the gin joints, in all the towns, in all the world, she walks into mine." There are so many pubs and she walked into mine)
And what I remember most is the last parting moment, Rick said to Ilsa: "But it doesn't take much to see that the problems of three little people don't amount to a hill of beans in this crazy world." This The lines created such a helpless moment, a vague helplessness explained the truth of devotion, and everything was explained, because love was forcibly thrown into the air of an era. So in the foggy airport, under the lights of the night, Ilsa stared at Rick's face, the last look in his eyes was gloomy, but a thousand words. This shot of Bergman staring at Rick makes the film a perfect ending, and this is also the most immortal shot of "seeing" in film history. Similarly, on the other side, Rick watched his beloved board the plane and gradually disappeared into the endless fog.
In fact, before this line, I did initially have an inexplicable conflict about Victor and Rick's relief. You must know that these two men in Ilsa made a frank and genuine fulfillment to each other in the end. Which girl isn't jealous of Ilsa? Sincere love is a luxury once in a lifetime, she can have two at the same time, and they are both tender in a foreign land, unforgettable, and extremely affectionate. Based on my understanding of love, more often than not, there is an exclusivity in love, which is like the severe pain of the body rejecting a transplanted organ. Tens of thousands of emotional clamoring, guarding loyalty, slaughtering dissidents, and the momentum is like a broken bamboo... But they all made their own sacrifices with a love for Ilsa, why? Just because of the beauty of this woman? Beauty is indeed self-evident above most things in the world. But the film does not treat Ilsa as a mere empty vase. She is indeed a symbol of beauty, and her beauty also symbolizes the kind of gentle comfort that men need in war. Her beauty is still the dream of a free America, her beauty It is also a representation of the "goodness" that people swear to defend to the death. She is so beautiful, which is why they fight in intrigue or on the battlefield. It's not so much that they are perfecting each other, but in fact they all fit each other at a certain height. First, for fighting, they are actually two aspects of a soldier; second, in the turbulent, noisy and lonely World War II era, they have a firm belief in a kind of "beauty". It's just that this is dealt with on the screen, and what we see is Romans, who have shown the virtues of love and ideal for their beloved woman Ilsa.
People always say that in this world we forget each other, but in Casablanca we complement each other. (even the old fox-like officer at the end)
This kind of romance has the flavor of a Russian film, war and love, as well as revolutionary friendship. This kind of subject matter is always moving. I have analyzed it before. Love is too dark and too soft, and it is always noisy in the internal organs, so the proposition of life and death must be added, and the pattern must be large enough, and the times will be pressed down, creating its "cruel kindness" and "iron-like tenderness". The more helpless a sense of fate the era or the environment gives people, the more a Titanic-like complex that one can't desire is at play.
"Casablanca" not only talks about how noble this achievement is, but without "This crazy world", the triangular relationship will inevitably be overshadowed by the tactful and tactful love. Bringing the "extramarital affair", a literary proposition that is always new (makes me feel that as long as the marriage system exists, it will be eternal), it only intends to talk about the romantic mind of men, and it will not become such a brilliant stroke in the history of film. .
When you see half a glass of water, you can't just think about having a half glass, but also think about where the half glass that you don't have gone to. Rick seemed to say: "The fate of the three of us is so small." There is a kind of resentment in the subtext of the sense of fate: how big is this world, how big is this crazy world, so that we are so small - and so big In this world, there are so many towns, the towns are so big, and there are so many taverns in the towns, but you walked into mine. The grudge turned into a blessing. At this point, the background of the era and the world is not fake, and the place name Casablanca has also been poeticized. They feed back this line. The romance is like the light of the fire at the end of a cigarette. At the last picture of the foggy night, it burns with the eyes. .
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