A cartoon is actually discussing values!

When I realized that Woody was a little more inclined to go to the museum under Tracy and Pete's expectations than to go back to Andy and friends, I finally realized that this is a cartoon about values! Whether it is kept intact, standing empty in the museum, and left in the children's memory, and there will be no fear of being torn, discarded, or forgotten, or return to the real life, to fulfill the most important thing about a toy. It is my duty to accompany a child to grow up slowly, and give him all your love, although one day you will be forgotten. This thought is simply too moving. "Rather than exhibiting on a cliff for a thousand years, it is better to lie on your lover's shoulder and cry all night." In fact, the idea to be conveyed in this piece is the same as the sentence "Goddess Peak", but with vivid, delicate and calm It's amazing how it's expressed in a way that's not cold-hearted preaching!
Recalling the animations our company made, I can't help but feel that this is what animations should look like.
The topics discussed in each volume are profound. In the first part, Woody faces an identity crisis in which another toy robs him of his leadership. Buzz Lightyear faces the ideal disillusionment that he is just a toy. In the second part, Woody faces The choice is value, Buzz Lightyear's line is single, leading his friends to rescue Woody. The line between New Bass and the Great Demon King is a bit inexplicable, and it did not disillusion New Bass. This is a repetition. I always feel that the design of this line is a bit redundant. Zac's appearance seems to be to let the dinosaur defeat him and complete the beginning of the line. .
The ending of old Pete is really cleverly designed. I am still thinking about how such a villain will end, because the reason why I become a villain is because of different values, and I need to realize my wishes through others. The ending was amazing, unexpected, childish, and really a punishment for old Pete.
Bass and Tracy are a bit rambunctious together. Although they are reasonable, they feel that the foundation is not enough and it is a bit abrupt.
I really liked the part where toy repair grandpa repaired Woody! Perfect interpretation of the craftsman spirit! Put away the toolbox and open it, just like the stage is opened, the drawers are stretched out, and all kinds of repair tools appear. Immediately after that, the hands waved vigorously, stitching, coloring, and refinishing Woody, as if by magic, and Woody soon looked brand new.
It always feels like one craftsman is paying tribute to another.
The Easter eggs at the end of the film are simply amazing! It's clearly an animation, but it really seems like the toys are making a movie, all kinds of movie flowers, this is the resurrection of the toy in another sense. I like Mrs. Eggshell's stalks the most. They keep stuffing them until they burst. It's so interesting.
I haven't watched the third, but I can almost think of the theme of being forgotten by children that needs to be dealt with. Emotions are given to toys and what they will do. I can't help thinking of the toys from my childhood. I clearly know that they are lying in the warehouse of the old house and haven't seen the sun for a long, long time. I know it's just because I'm afraid to see them again, because they record times I can't go back to. With your toys, it's a really emotional picture, a good animation must be emotional, where we see ourselves, wake up memories, realize that part of us has come back to life, which is exactly what What great animation brings to us.

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